Director Of Photography: Second Unit
Avengers: Endgame (2019)
| USA
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Director Of Photography: Additional Photography
Avengers: Infinity War (2018)
| USA
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leica Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Director Of Photography: Second Unit - 1 Episode, 2016
Stranger Things (2016)
| USA
Lenses: Leica Summilux-C Series Lenses
Editing System: Avid Editing System
Director Of Photography: Second Unit
Zoolander 2 (2016)
| USA, Italy
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Director Of Photography: Second Unit
'Stranger Things' Chapter Seven: The Bathtub (2016)
| USA
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Director Of Photography: Second Unit
Ride Along 2 (2016)
| USA
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Director Of Photography: Second Unit
Divergent (2014)
| USA
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Director Of Photography: Second Unit
The Expendables 3 (2014)
| USA, France, Bulgaria, Germany
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Director Of Photography: Second Unit/additional Photography
Gangster Squad (2013)
| USA
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Director Of Photography: Second Unit
Escape Plan (2013)
| USA
Directed by: Mikael Håfström
Cinematography by: Brendan Galvin
Edited by: Elliot Greenberg
Cameras: ARRI ALEXA Camera
Director Of Photography: Second Unit
Hansel & Gretel: Witch Hunters (2013)
| Germany, USA
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Director Of Photography: Second Unit, Manila
The Bourne Legacy (2012)
| USA, Japan
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Director Of Photography: Second Unit
Cowboys & Aliens (2011)
| USA, India
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Director Of Photography: Second Unit
The Change-Up (2011)
| USA
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Director Of Photography: Second Unit
In Time (2011)
| USA
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Director Of Photography: Second Unit
Date Night (2010)
| USA
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Director Of Photography: Second Unit
The Other Guys (2010)
| USA
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Director Of Photography: Additional Photography
Drag Me to Hell (2009)
| USA
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Cinematographer: Insert And Aerial Unit
Law Abiding Citizen (2009)
| USA
Directed by: F. Gary Gray
Cinematography by: Jonathan Sela
Edited by: Tariq Anwar
Lenses: Cooke S4 Lenses
Director Of Photography: Second Unit
Hancock (2008)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Director Of Photography: Second Unit
Jumper (2008)
| USA, Canada
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Director Of Photography: Second Unit
The Love Guru (2008)
| UK, Germany, USA
Directed by: Marco Schnabel
Cinematography by: Peter Deming
Director Of Photography: Skidoo Drone Chase Unit, Sweden
Babylon A.D. (2008)
| France, UK
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Director Of Photography: Second Unit
Underdog (2007)
| USA
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Director Of Photography: Second Unit
Disturbia (2007)
| USA
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography: Second Unit
The Kingdom (2007)
| USA, Germany, United Arab Emirates
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Director Of Photography: Second Unit
X-Men: The Last Stand (2006)
| Canada, USA, UK
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Director Of Photography: Second Unit
Cursed (2005)
| Germany, USA
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Director Of Photography: Second Unit
Starsky & Hutch (2004)
| USA
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Director Of Photography: Second Unit
Hollywood Homicide (2003)
| USA
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Director Of Photography: Second Unit
Austin Powers in Goldmember (2002)
| USA
Directed by: Jay Roach
Cinematography by: Peter Deming
Director Of Photography: Second Unit
Clockstoppers (2002)
| USA
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Camera Operator
Mulholland Dr. (2001)
| France, USA
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Additional Director Of Photography: Second Unit
Planet of the Apes (2001)
| USA
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography: Second Unit
Scream 3 (2000)
| USA
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Additional Camera Operator
Charlie's Angels (2000)
| USA, Germany
Directed by: McG
Cinematography by: Russell Carpenter
Camera Operator / Director Of Photography: Second Unit
South of Heaven, West of Hell (2000)
| USA
Directed by: Dwight Yoakam
Cinematography by: James Glennon
Additional Camera Operator: Second Unit
Doctor Dolittle (1998)
| USA
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Camera Operator, Cinematographer: Second Unit
Austin Powers: International Man of Mystery (1997)
| USA
Directed by: Jay Roach
Cinematography by: Peter Deming
Camera Operator
Lost Highway (1997)
| France, USA
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Camera Operator
Scream 2 (1997)
| USA
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Camera Operator
Soul of the Game (1996)
| USA
Directed by: Kevin Rodney Sullivan
Cinematography by: Sandi Sissel
Edited by: Victor Du Bois
Camera Operator: "a" Camera
Scream (1996)
| USA
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Lenses: Clairmont Anamorphic Lenses
Editing System: Lightworks Editing System
Additional Photographer
Stranger by Night (1994)
| USA
Directed by: Gregory Dark
Cinematography by: Wally Pfister
Edited by: James Avalon
Camera Operator: "b" Camera
Greedy (1994)
| USA
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Photographer: Second Unit
Son in Law (1993)
| USA
Directed by: Steve Rash
Cinematography by: Peter Deming
Edited by: Dennis M. Hill
Camera Operator: "b" Camera
Loaded Weapon 1 (1993)
| USA
Directed by: Gene Quintano
Cinematography by: Peter Deming
Edited by: Christopher Greenbury
Additional Camera Operator: Second Unit
Ruby (1992)
| UK, USA, Japan
Directed by: John Mackenzie
Cinematography by: Phil Meheux
Edited by: Richard Trevor
First Assistant Camera: Second Unit
Eyes of an Angel (1991)
| USA
Directed by: Robert Harmon
Cinematography by: Theo van de Sande
First Assistant Camera
Scenes from the Class Struggle in Beverly Hills (1989)
| USA
Directed by: Paul Bartel
Cinematography by: Steven Fierberg
Edited by: Alan Toomayan
First Assistant Camera
The Big Picture (1989)
| USA
Directed by: Christopher Guest
Cinematography by: Jeffrey Jur
Edited by: Martin Nicholson
