Sound Designer / Supervising Sound Editor
Maestro (2023)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Michelle Tesoro
Lenses: Panavision PVintage Prime Lenses
Sound Designer/supervising Sound Editor
Oppenheimer (2023)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Sound Designer / Supervising Sound Editor
Tenet (2020)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Supervising Sound Editor
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Sound Designer / Supervising Sound Editor
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Avid Editing System
Sound: Design / Supervising Sound Editor
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Re-recording Mixer / Supervising Sound Editor
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Sound Designer
Run All Night (2015)
Directed by: Jaume Collet-Serra
Cinematography by: Martin Ruhe
Edited by: Dirk Westervelt
Re-recording Mixer, Re-recording Mixer / Sound Designer / Supervising Sound Editor
The Hunting Ground (2015)
Directed by: Kirby Dick
Sound Designer / Supervising Sound Editor
Mr. Peabody & Sherman (2014)
Directed by: Rob Minkoff
Edited by: Mike Andrews
Sound Designer / Supervising Sound Editor
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Designer / Supervising Sound Editor
Turbo (2013)
Directed by: David Soren
Cinematography by: Chris Stover
Edited by: James Ryan
Additional Recordist, Sound Designer / Supervising Sound Editor
Rise of the Guardians (2012)
Directed by: Peter Ramsey
Edited by: Joyce Arrastia
Sound Designer / Supervising Sound Editor
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Designer / Supervising Sound Editor
Puss in Boots (2011)
Directed by: Chris Miller
Cinematography by: Gil Zimmerman
Edited by: Erika Dapkewicz
Sound Designer / Supervising Sound Editor
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Supervising Sound Editor
In Time (2011)
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Sound Designer / Supervising Sound Editor
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Sound Designer / Supervising Sound Editor
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Supervising Sound Editor
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Supervising Sound Editor
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Sound Designer / Supervising Sound Editor
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Sound Designer
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer / Supervising Sound Editor
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by: Andrew Dominik
Cinematography by: Roger Deakins
Lenses: Cooke Lenses, Cooke S4 Lenses
Sound Consultant
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Sound Designer / Supervising Sound Editor
Firewall (2006)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Jim Page
Sound Designer / Supervising Sound Editor
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Sound Designer / Supervising Sound Editor
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Sound Designer / Supervising Sound Editor
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Sound Designer / Supervising Sound Editor
Walking Tall (2004)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Sound Designer
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Sound Designer / Supervising Sound Editor
Moonlight Mile (2002)
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Sound Designer / Supervising Sound Editor
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Sound Designer / Sound Editor / Supervising Sound Editor
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Sound Designer / Supervising Sound Editor
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Sound Designer / Sound Supervisor
Get Carter (2000)
Directed by: Stephen Kay
Cinematography by: Mauro Fiore
Edited by: Gerald B. Greenberg
Supervising Sound Editor
Pollock (2000)
Directed by: Ed Harris
Cinematography by: Lisa Rinzler
Edited by: Kathryn Himoff
Sound Designer / Supervising Sound Editor
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Designer / Supervising Sound Editor
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Sound Designer
The Gingerbread Man (1998)
Directed by: Robert Altman
Cinematography by: Changwei Gu
Edited by: Geraldine Peroni
Supervising Sound Editor
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Supervising Sound Editor
Gattaca (1997)
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Sound Designer
Hard Eight (1996)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Supervising Sound Editor
That Thing You Do! (1996)
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Supervising Sound Editor
Kansas City (1996)
Directed by: Robert Altman
Cinematography by: Oliver Stapleton
Edited by: Geraldine Peroni
Sound Effects Editor
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Sound Editor
Alaska (1996)
Directed by: Fraser C. Heston
Cinematography by: Tony Westman
Edited by: Rob Kobrin
Sound Effects Editor
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Supervising Sound Editor
Rob Roy (1995)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter Honess
Supervising Sound Editor
Safe Passage (1994)
Directed by: Robert Allan Ackerman
Cinematography by: Ralf D. Bode
Edited by: Rick Shaine
Sound Effects Editor
Blue Sky (1994)
Directed by: Tony Richardson
Cinematography by: Steve Yaconelli
Edited by: Robert K. Lambert
Cameras: ARRI Cameras
Sound Effects Editor
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Supervising Sound Editor
The Wrong Man (1993)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Lisa Zeno Churgin
Supervising Sound Fx Editor
Born Yesterday (1993)
Directed by: Luis Mandoki
Cinematography by: Lajos Koltai
Edited by: Lesley Walker
Cameras: ARRIFLEX Camera
Supervising Sound Editor
My Life (1993)
Directed by: Bruce Joel Rubin
Cinematography by: Peter James
Edited by: Richard Chew
Supervising Sound Editor
This Boy's Life (1993)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Supervising Sound Editor
Cold Heaven (1991)
Directed by: Nicolas Roeg
Cinematography by: Francis Kenny
Edited by: Tony Lawson
Sound Effects Editor
Sleeping with the Enemy (1991)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Supervising Sound Editor
Mortal Thoughts (1991)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Tom Walls
Supervising Sound Editor
Love at Large (1990)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Lisa Zeno Churgin
Supervising Sound Editor
Blue Steel (1990)
Directed by: Kathryn Bigelow
Cinematography by: Amir Mokri
Edited by: Lee Percy
Supervising Sound Editor
Checking Out (1989)
Directed by: David Leland
Cinematography by: Ian Wilson
Edited by: Lee Percy
Sound Effects Editor
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Supervising Sound Editor - 2000 Version
The Exorcist (1973)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
