Patrick Loungway

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Indiana Jones and the Dial of Destiny | ShotOnWhat?

Additional Second Unit Director, Director Of Photography: Second Unit

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

"True Detective" The Great War and Modern Memory | ShotOnWhat?

Second Unit Director

'True Detective' The Great War and Modern Memory (2019)

Television Episode

Directed by: Jeremy Saulnier

Cinematography by: Germain McMicking

Edited by: Leo Trombetta

"True Detective" Kiss Tomorrow Goodbye | ShotOnWhat?

Second Unit Director

'True Detective' Kiss Tomorrow Goodbye (2019)

Television Episode

Directed by: Jeremy Saulnier

Cinematography by: Germain McMicking

Edited by: Leo Trombetta

"True Detective" The Big Never | ShotOnWhat?

Second Unit Director

'True Detective' The Big Never (2019)

Television Episode

Directed by: Daniel Sackheim

Cinematography by: Germain McMicking

Edited by: Leo Trombetta

"True Detective" The Hour and the Day | ShotOnWhat?

Second Unit Director

'True Detective' The Hour and the Day (2019)

Television Episode

Directed by: Nic Pizzolatto

Cinematography by: Nigel Bluck

Edited by: Leo Trombetta

"True Detective" If You Have Ghosts | ShotOnWhat?

Second Unit Director

'True Detective' If You Have Ghosts (2019)

Television Episode

Directed by: Nic Pizzolatto

Cinematography by: Nigel Bluck

Edited by: Leo Trombetta

"True Detective" Now Am Found | ShotOnWhat?

Second Unit Director

'True Detective' Now Am Found (2019)

Television Episode

Directed by: Daniel Sackheim

Cinematography by: Germain McMicking

Edited by: Leo Trombetta

"True Detective" Hunters in the Dark | ShotOnWhat?

Second Unit Director

'True Detective' Hunters in the Dark (2019)

Television Episode

Directed by: Daniel Sackheim

Cinematography by: Germain McMicking

Edited by: Leo Trombetta

"True Detective" The Final Country | ShotOnWhat?

Second Unit Director

'True Detective' The Final Country (2019)

Television Episode

Directed by: Daniel Sackheim

Cinematography by: Germain McMicking

Edited by: Leo Trombetta

Ghost in the Shell | ShotOnWhat?

Director Of Photography: Second Unit

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Bright | ShotOnWhat?

Director Of Photography: Second Unit

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Allegiant | ShotOnWhat?

Director Of Photography: Second Unit

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Captain America: Civil War | ShotOnWhat?

Director Of Photography: Second Unit, Atlanta

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Additional Visual Effects Director Of Photography

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Jurassic World | ShotOnWhat?

Director Of Photography: Hawaii Second Unit/splinter Unit / Director Of Photography: New Orleans Second Unit/splinter Unit

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Dracula Untold | ShotOnWhat?

Director Of Photography: Second Unit

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

RoboCop | ShotOnWhat?

Director Of Photography: Second Unit, Toronto

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Additional Visual Effects Director Of Photography

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

True Detective | ShotOnWhat?

Second Unit Director - 8 Episodes, 2019

True Detective (2014)

Television Series

Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik

Cinematography by: Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister

Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

The Lone Ranger | ShotOnWhat?

Director Of Photography: Second Unit

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

G.I. Joe: Retaliation | ShotOnWhat?

Director Of Photography: Second Unit

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Hunger Games | ShotOnWhat?

Additional Photographer

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Director Of Photography: Second Unit

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Priest | ShotOnWhat?

Director Of Photography: Second Unit

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Burlesque | ShotOnWhat?

Camera Operator: "a" Camera

Burlesque (2010)

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

The Sorcerer's Apprentice | ShotOnWhat?

Director Of Photography: Second Unit

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Terminator Salvation | ShotOnWhat?

Director Of Photography: Second Unit

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Couples Retreat | ShotOnWhat?

Director Of Photography: Second Unit

Couples Retreat (2009)

Directed by: Peter Billingsley

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

G-Force | ShotOnWhat?

Camera Operator

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Twilight | ShotOnWhat?

Director Of Photography: Second Unit

Twilight (2008)

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: At World's End | ShotOnWhat?

Director Of Photography: Second Unit

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Director Of Photography: Second Unit

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Assassination of Richard Nixon | ShotOnWhat?

Camera Operator

The Assassination of Richard Nixon (2004)

Directed by: Niels Mueller

Cinematography by: Emmanuel Lubezki

Edited by: Jay Cassidy

Tell Them Who You Are | ShotOnWhat?

Additional Camera Operator

Tell Them Who You Are (2004)

Directed by: Mark Wexler

Cinematography by: Mark Wexler

Edited by: Robert DeMaio

The Alamo | ShotOnWhat?

Visual Effects Cameraman: Matte World Digital

The Alamo (2004)

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Looney Tunes: Back in Action | ShotOnWhat?

Director Of Photography: Second Unit

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Down with Love | ShotOnWhat?

Cameraman: Matte World Digital

Down with Love (2003)

Directed by: Peyton Reed

Cinematography by: Jeff Cronenweth

Edited by: Larry Bock

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Additional Photographer

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Ring | ShotOnWhat?

Director Of Photography: Second Unit

The Ring (2002)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

The Majestic | ShotOnWhat?

Visual Effects Cameraman

The Majestic (2001)

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Jim Page

Antitrust | ShotOnWhat?

Photographer: VistaVision, Matte World Digital

Antitrust (2001)

Directed by: Peter Howitt

Cinematography by: John Bailey

Edited by: Zach Staenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Jay and Silent Bob Strike Back | ShotOnWhat?

Visual Effects Cameraman: Matte World Digital

Jay and Silent Bob Strike Back (2001)

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

Dr. T and the Women | ShotOnWhat?

Effects Camera Operator: Matte World Digital

Dr. T & the Women (2000)

Directed by: Robert Altman

Cinematography by: Jan Kiesser

Edited by: Geraldine Peroni

Patch Adams | ShotOnWhat?

Camera Operator

Patch Adams (1998)

Directed by: Tom Shadyac

Cinematography by: Phedon Papamichael

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Dunston Checks In | ShotOnWhat?

Plate Photographer

Dunston Checks In (1996)

Directed by: Ken Kwapis

Cinematography by: Peter Lyons Collister

Edited by: Jon Poll

Cameras: Panavision Cameras

Prancer | ShotOnWhat?

Matte Camera Assistant: Matte World

Prancer (1989)

Directed by: John D. Hancock

Cinematography by: Misha Suslov

Edited by: Dennis M. O'Connor, John Rosenberg

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