Additional Second Unit Director, Director Of Photography: Second Unit
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Second Unit Director
'True Detective' The Great War and Modern Memory (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Second Unit Director
'True Detective' Kiss Tomorrow Goodbye (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Second Unit Director
'True Detective' The Big Never (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Second Unit Director
'True Detective' The Hour and the Day (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Second Unit Director
'True Detective' If You Have Ghosts (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Second Unit Director
'True Detective' Now Am Found (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Second Unit Director
'True Detective' Hunters in the Dark (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Second Unit Director
'True Detective' The Final Country (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Director Of Photography: Second Unit
Ghost in the Shell (2017)
Directed by: Rupert Sanders
Cinematography by: Jess Hall
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Director Of Photography: Second Unit
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Director Of Photography: Second Unit
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Director Of Photography: Second Unit, Atlanta
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Additional Visual Effects Director Of Photography
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Director Of Photography: Hawaii Second Unit/splinter Unit / Director Of Photography: New Orleans Second Unit/splinter Unit
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Director Of Photography: Second Unit
Dracula Untold (2014)
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Director Of Photography: Second Unit, Toronto
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Additional Visual Effects Director Of Photography
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Second Unit Director - 8 Episodes, 2019
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Director Of Photography: Second Unit
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Director Of Photography: Second Unit
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Additional Photographer
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Director Of Photography: Second Unit
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Director Of Photography: Second Unit
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Camera Operator: "a" Camera
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Director Of Photography: Second Unit
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Director Of Photography: Second Unit
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Director Of Photography: Second Unit
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Director Of Photography: Second Unit
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Director Of Photography: Second Unit
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Director Of Photography: Second Unit
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Camera Operator
The Assassination of Richard Nixon (2004)
Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy
Additional Camera Operator
Tell Them Who You Are (2004)
Directed by: Mark Wexler
Cinematography by: Mark Wexler
Edited by: Robert DeMaio
Visual Effects Cameraman: Matte World Digital
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Director Of Photography: Second Unit
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Cameraman: Matte World Digital
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Additional Photographer
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Director Of Photography: Second Unit
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Visual Effects Cameraman
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Photographer: VistaVision, Matte World Digital
Antitrust (2001)
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Cameraman: Matte World Digital
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Effects Camera Operator: Matte World Digital
Dr. T & the Women (2000)
Directed by: Robert Altman
Cinematography by: Jan Kiesser
Edited by: Geraldine Peroni
Camera Operator
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Plate Photographer
Dunston Checks In (1996)
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Matte Camera Assistant: Matte World
Prancer (1989)
Directed by: John D. Hancock
Cinematography by: Misha Suslov