Gaffer: Second Unit
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Gaffer
'Rules of Engagement' Taking Names (2013)
Directed by: Ted Wass
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer
'Rules of Engagement' 100th (2013)
Directed by: Tom Hertz
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer
'Rules of Engagement' A Wee Problem (2013)
Directed by: Carlos Piñero
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer
'Rules of Engagement' Timmy Quits (2013)
Directed by: Megyn Price
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer
'Rules of Engagement' Unpleasant Surprises (2013)
Directed by: Gail Mancuso
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer
'Rules of Engagement' Cooking Class (2013)
Directed by: Ted Wass
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer
'Rules of Engagement' Cats & Dogs (2013)
Directed by: Ted Wass
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer
'Rules of Engagement' Catering (2013)
Directed by: Tom Hertz
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer
'Rules of Engagement' Role Play (2013)
Directed by: Ted Wass
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer
'Rules of Engagement' Baby Talk (2013)
Directed by: Tom Hertz
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer
'Rules of Engagement' Fountain of Youth (2013)
Directed by: Ted Wass
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Gaffer - 1 Episode, 2012
Are You There, Chelsea? (2012)
Directed by: Gail Mancuso
Cinematography by: Wayne Kennan
Edited by: Chris Poulos
Cameras: Sony PMW-F3 Camera
Gaffer
'Are You There, Chelsea?' Pilot (2012)
Directed by: Gail Mancuso
Cinematography by: Wayne Kennan
Edited by: Chris Poulos
Visual Effects Gaffer
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Gaffer
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Visual Effects Gaffer
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Gaffer: Additional Photography
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Photography Crew: New Deal Studios
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Miniature Effects: New Deal Studios, Inc.
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Gaffer - 11 Episodes, 2013
Rules of Engagement (2007)
Directed by: Ted Wass, Gail Mancuso, Tom Hertz, Mark Cendrowski, John Pasquin, Gary Halvorson, Andy Cadiff, Andy Ackerman, Leonard R. Garner Jr., Gil Junger, Ken Whittingham, Victor Gonzalez, Carlos Piñero, Megyn Price
Cinematography by: Wayne Kennan
Edited by: Michael Karlich
Cameras: Sony HDW-F900 Camera
Visual Effects Gaffer
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Visual Effects Gaffer
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Gaffer: Los Angeles
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Visual Effects Gaffer
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Visual Effects Gaffer
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Gaffer: Second Unit , Visual Effects Gaffer
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Chief Lighting Technician: Second Unit
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Chief Lighting Technician: Visual Effects Plate Photography
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Visual Effects Gaffer
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Best Boy Electrician
Wonderland (2003)
Directed by: James Cox
Cinematography by: Michael Grady
Edited by: Jeff McEvoy
Gaffer: Second Unit
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Gaffer: Hunter/Gratzner Industries, Inc.
Don't Say a Word (2001)
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Gaffer: Carrier Unit
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Visual Effects: Chief Lighting Technician
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Visual Effects: Chief Lighting Technician
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Chief Lighting Technician: Visual Effects
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Chief Lighting Technician: Visual Effects And Additional Photography, Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Chief Lighting Technician: Visual Effects
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Chief Lighting Technician: Visual Effects Camera Unit
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Gaffer: Visual Effects Unit / Visual Effects: Chief Lighting Technician
Money Train (1995)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Chief Lighting Technician: Visual Effects
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Visual Effects: Chief Lighting Technician
Tall Tale (1995)
Directed by: Jeremiah S. Chechik
Cinematography by: Janusz Kaminski
Edited by: Richard Chew
Visual Effects Chief Lighting Technician: Digital Domain
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Chief Lighting Technician
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Best Boy Grip
Trancers (1984)
Directed by: Charles Band
Cinematography by: Mac Ahlberg
Edited by: Ted Nicolaou
