Colorist
The Holdovers (2023)
Directed by: Alexander Payne
Cinematography by: Eigil Bryld
Edited by: Kevin Tent
Cameras: ARRI ALEXA Mini Camera
Colorist
El Conde (2023)
Directed by: Pablo Larraín
Cinematography by: Edward Lachman
Edited by: Sofía Subercaseaux
Cameras: ARRI ALEXA Mini LF Monochrome Camera
Lenses: Zero Optik Baltar Series Lenses
Colorist / Supervising Colorist
'Billions' Extreme Sandbox (2019)
Directed by: Colin Bucksey
Cinematography by: Giorgio Scali
Edited by: Marnee Meyer
Supervising Colorist
'Billions' Lamster (2019)
Directed by: Matthew McLoota
Cinematography by: Joseph E. Gallagher
Edited by: Naomi Geraghty
Supervising Colorist
'Billions' New Year's Day (2019)
Directed by: Adam Bernstein
Cinematography by: Giorgio Scali
Supervising Colorist
'Billions' American Champion (2019)
Directed by: Naomi Geraghty
Cinematography by: Giorgio Scali
Edited by: Marnee Meyer
Supervising Colorist
'Billions' Fight Night (2019)
Directed by: Colin Bucksey
Cinematography by: Giorgio Scali
Supervising Colorist
'Billions' Infinite Game (2019)
Directed by: Laurie Collyer
Cinematography by: Alexander Dynan
Edited by: Joe Hobeck
Supervising Colorist
'Billions' Maximum Recreational Depth (2019)
Directed by: Jessica Yu
Cinematography by: Giorgio Scali
Supervising Colorist
'Billions' A Proper Sendoff (2019)
Directed by: Matthew McLoota
Cinematography by: Alexander Dynan
Edited by: David Ray
Supervising Colorist
'Billions' Overton Window (2019)
Directed by: Clement Virgo
Cinematography by: Giorgio Scali
Edited by: Joe Hobeck
Supervising Colorist
'Billions' Chickentown (2019)
Directed by: Neil Burger
Cinematography by: Alexander Dynan
Edited by: Marnee Meyer
Supervising Colorist
'Billions' Arousal Template (2019)
Directed by: Adam Bernstein
Cinematography by: Giorgio Scali
Edited by: David Ray
Supervising Colorist
'Billions' Chucky Rhoades's Greatest Game (2019)
Directed by: Colin Bucksey
Cinematography by: Alexander Dynan
Edited by: Joe Hobeck
Colorist: Harbor Picture Company / Supervising Colorist
Midsommar (2019)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Panavision Millennium DXL2 Camera
Lenses: Panavision Primo Artiste Lenses
Senior Colorist
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Supervising Colorist
'Billions' A Generation Too Late (2018)
Directed by: Colin Bucksey
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Supervising Colorist
'Billions' Tie Goes to the Runner (2018)
Directed by: Colin Bucksey
Cinematography by: Jake Polonsky
Edited by: Nick Houy
Senior Colorist
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Supervising Digital Colorist: Harbor Picture Company
Boy Erased (2018)
Directed by: Joel Edgerton
Cinematography by: Eduard Grau
Edited by: Jay Rabinowitz
Lenses: Zeiss Super Speed Lenses
Digital Imaging Colorist
Ocean's Eight (2018)
Directed by: Gary Ross
Cinematography by: Eigil Bryld
Edited by: Juliette Welfling
Senior Digital Colorist
Wildlife (2018)
Directed by: Paul Dano
Cinematography by: Diego García
Cameras: ARRI ALEXA XT Camera
Supervising Digital Colorist
'Billions' Ball in Hand (2017)
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Supervising Digital Colorist
'Billions' Golden Frog Time (2017)
Directed by: Karyn Kusama
Cinematography by: Jake Polonsky
Edited by: Nick Houy
Supervising Digital Colorist
'Billions' With or Without You (2017)
Directed by: Ed Bianchi
Cinematography by: Radium Cheung
Edited by: Naomi Geraghty
Supervising Digital Colorist
'Billions' Sic Transit Imperium (2017)
Directed by: Colin Bucksey
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Supervising Digital Colorist
'Billions' The Kingmaker (2017)
Directed by: Oliver Hirschbiegel
Cinematography by: Jake Polonsky
Edited by: Nick Houy
Supervising Digital Colorist
'Billions' Indian Four (2017)
Directed by: Adam Arkin
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Supervising Digital Colorist
'Billions' Victory Lap (2017)
Directed by: John Singleton
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Supervising Digital Colorist
'Billions' Currency (2017)
Directed by: Steph Green
Cinematography by: Radium Cheung
Edited by: Nick Houy
Supervising Digital Colorist
'Billions' The Oath (2017)
Directed by: Noah Emmerich
Cinematography by: Radium Cheung
Edited by: Naomi Geraghty
Supervising Digital Colorist
'Billions' Optimal Play (2017)
Directed by: Alex Gibney
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Supervising Digital Colorist
Mudbound (2017)
Directed by: Dee Rees
Cinematography by: Rachel Morrison
Edited by: Mako Kamitsuna
Cameras: ARRI ALEXA Mini Camera
Supervising Digital Colorist / Supervising Colorist / Colorist - 38 Episodes, 2016-2019
Billions (2016)
Directed by: Colin Bucksey, Neil Burger, John Dahl, Anna Boden, Ryan Fleck, Karyn Kusama, James Foley, Noah Emmerich, Jessica Yu, Adam Bernstein, Matthew McLoota, Michael Cuesta, Stephen Gyllenhaal, Scott Hornbacher, Neil LaBute, Susanna White, Adam Arkin, Ed Bianchi, Alex Gibney, Steph Green, Oliver Hirschbiegel, Reed Morano, John Singleton, Mike Binder, Michael Morris, Stacie Passon, Jake Polonsky, Matt Shakman, Laurie Collyer, Naomi Geraghty, Clement Virgo
Cinematography by: Jake Polonsky, Radium Cheung, Giorgio Scali, Alexander Dynan, Eric Steelberg, Joseph E. Gallagher
Colorist
Paterson (2016)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Affonso Gonçalves
Supervising Digital Colorist
'Billions' The Conversation (2016)
Directed by: Michael Cuesta
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Supervising Digital Colorist
'Billions' Magical Thinking (2016)
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Supervising Digital Colorist
'Billions' Quality of Life (2016)
Directed by: Karyn Kusama
Cinematography by: Radium Cheung
Edited by: Susan E. Morse
Supervising Digital Colorist
'Billions' Where the F*ck Is Donnie? (2016)
Directed by: Susanna White
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Supervising Digital Colorist
'Billions' Boasts and Rails (2016)
Directed by: John Dahl
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Supervising Digital Colorist
'Billions' The Deal (2016)
Directed by: James Foley
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Supervising Digital Colorist
'Billions' The Punch (2016)
Directed by: Stephen Gyllenhaal
Cinematography by: Jake Polonsky
Edited by: Susan E. Morse
Supervising Digital Colorist
'Billions' The Good Life (2016)
Directed by: Neil LaBute
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Supervising Digital Colorist
'Billions' Short Squeeze (2016)
Directed by: James Foley
Cinematography by: Jake Polonsky
Edited by: Susan E. Morse
Supervising Digital Colorist
'Billions' YumTime (2016)
Directed by: Scott Hornbacher
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Supervising Digital Colorist
'Billions' Naming Rights (2016)
Directed by: Neil Burger
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Supervising Digital Colorist
'Billions' Pilot (2016)
Directed by: Neil Burger
Cinematography by: Eric Steelberg
Edited by: Naomi Geraghty
Digital Intermediate Colorist
Arrival (2016)
Directed by: Denis Villeneuve
Cinematography by: Bradford Young
Edited by: Joe Walker
Digital Intermediate Colorist
Magic Mike XXL (2015)
Directed by: Gregory Jacobs
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Dragon Camera
Colorist / Digital Intermediate Colorist
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Colorist: Harbor Picture Company
I Origins (2014)
Directed by: Mike Cahill
Cinematography by: Markus Förderer
Edited by: Mike Cahill
Cameras: Red Epic Camera
Digital Intermediate Colorist
Gods Behaving Badly (2013)
Directed by: Marc Turtletaub
Cinematography by: Tak Fujimoto
Cameras: ARRI ALEXA Camera
Supervising Colorist
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Colorist
Ain't Them Bodies Saints (2013)
Directed by: David Lowery
Cinematography by: Bradford Young
Digital Intermediate Colorist: Deluxe New York
Being Flynn (2012)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Digital Colorist
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Visual Effects Colorist
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Digital Intermediate Colorist
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist
A Late Quartet (2012)
Directed by: Yaron Zilberman
Cinematography by: Frederick Elmes
Edited by: Yuval Shar
Digital Intermediate Colorist
To Rome with Love (2012)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Digital Intermediate Colorist
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Digital Intermediate Colorist
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Digital Intermediate Colorist
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist
Friends with Kids (2011)
Directed by: Jennifer Westfeldt
Cinematography by: William Rexer
Edited by: Tara Timpone
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Digital Intermediate Colorist: Deluxe New York
Midnight in Paris (2011)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Digital Intermediate Colorist: Deluxe NY
Another Earth (2011)
Directed by: Mike Cahill
Cinematography by: Mike Cahill
Edited by: Mike Cahill
Cameras: Sony PMW-EX3 Camera
Digital Intermediate Colorist
The Extra Man (2010)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Digital Intermediate Colorist
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Supervising Digital Intermediate Colorist
Shanghai (2010)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Digital Intermediate Colorist
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Senior Digital Intermediate Colorist
Remember Me (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Andrew Mondshein
Digital Colorist
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Digital Intermediate Colorist
Letters to Juliet (2010)
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Digital Intermediate Colorist
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Digital Intermediate Colorist
The Limits of Control (2009)
Directed by: Jim Jarmusch
Cinematography by: Christopher Doyle
Edited by: Jay Rabinowitz
Digital Intermediate Colorist
Hachi: A Dog's Tale (2009)
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Digital Intermediate Colorist
Did You Hear About the Morgans? (2009)
Directed by: Marc Lawrence
Cinematography by: Florian Ballhaus
Edited by: Susan E. Morse
Cameras: ARRICAM Studio (ST) Camera
Lenses: Hawk V-Series Lenses
Digital Intermediate Colorist
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Digital Intermediate Colorist
The Rebound (2009)
Directed by: Bart Freundlich
Cinematography by: Jonathan Freeman
Edited by: Christopher Tellefsen
Supervising Digital Intermediate Colorist: Deluxe New York
The Messenger (2009)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Alex Hall
Cameras: ARRICAM Lite (LT) Camera
Digital Intermediate Colorist
Gigantic (2008)
Directed by: Matt Aselton
Cinematography by: Peter Donahue
Edited by: Beatrice Sisul
Colorist
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Digital Intermediate Colorist
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Colorist: New York
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Senior Digital Intermediate Colorist
Cadillac Records (2008)
Directed by: Darnell Martin
Cinematography by: Anastas N. Michos
Edited by: Peter C. Frank
Digital Intermediate Colorist
The Betrayal - Nerakhoon (2008)
Cinematography by: Ellen Kuras
Edited by: Thavisouk Phrasavath
Digital Intermediate Colorist
Hot Rod (2007)
Directed by: Akiva Schaffer
Cinematography by: Andrew Dunn
Edited by: Malcolm Campbell
Color Timer
Before the Devil Knows You're Dead (2007)
Directed by: Sidney Lumet
Cinematography by: Ron Fortunato
Edited by: Tom Swartwout
Cameras: Panavision Genesis Camera
Digital Colorist: Technicolor
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Digital Intermediate Colorist: Technicolor NY
The Nanny Diaries (2007)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Digital Intermediate Colorist: Technicolor Digital Intermediates
The Darjeeling Limited (2007)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Digital Opticals Colorist
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
Digital Film Colorist
The Devil Wears Prada (2006)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Digital Intermediate Colorist
Man of the Year (2006)
Directed by: Barry Levinson
Cinematography by: Dick Pope
Digital Intermediate Colorist
Sweet Land (2005)
Directed by: Ali Selim
Cinematography by: David Tumblety
Edited by: James Stanger
Colorist: Technicolor Creative Services
The Ballad of Jack and Rose (2005)
Directed by: Rebecca Miller
Cinematography by: Ellen Kuras
Edited by: Sabine Hoffman
Digital Intermediate Colorist
Kill the Poor (2003)
Directed by: Alan Taylor
Cinematography by: Harlan Bosmajian
Edited by: Malcolm Jamieson
Digital Intermediate Colorist
Personal Velocity (2002)
Directed by: Rebecca Miller
Cinematography by: Ellen Kuras
Edited by: Sabine Hoffman
Colorist
Tadpole (2002)
Directed by: Gary Winick
Cinematography by: Hubert Taczanowski
Edited by: Susan Littenberg
Video Colorist
Run Lola Run (1998)
Directed by: Tom Tykwer
Cinematography by: Frank Griebe
Edited by: Mathilde Bonnefoy
Cameras: Moviecam Compact Camera
Video Colorist
Bottle Rocket (1996)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Video Colorist
Blow Out (1981)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Paul Hirsch
