Titles Coordinator
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Visual Effects Coordinator
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Digital Intermediate Assistant Producer / Optical Camera
Finding Neverland (2004)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Editing System: Avid Editing System
Digital Intermediate Associate Producer
The Butterfly Effect (2004)
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Digital Intermediate Producer
Never Die Alone (2004)
Directed by: Ernest R. Dickerson
Cinematography by: Matthew Libatique
Edited by: Stephen Lovejoy
Assistant Digital Intermediate Producer
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Assistant Digital Intermediate Producer
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Digital Intermediate Associate Producer
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Assistant Digital Intermediate Producer
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Optical Camera Operator
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Assistant Digital Intermediate Producer
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Assistant Digital Intermediate Producer
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Producer: Main Title
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Producer: Main Title
Someone Like You... (2001)
Directed by: Tony Goldwyn
Cinematography by: Anthony B. Richmond
Edited by: Dana Congdon
Optical Camera Supervisor
The Animal (2001)
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Optical Camera Operator
Reindeer Games (2000)
Directed by: John Frankenheimer
Cinematography by: Alan Caso
Cameras: Panavision Cameras, Spacecam Aerial Cameras
Optical Camera Operator
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Optical Camera Operator
Stigmata (1999)
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Optical Camera Operator
Arlington Road (1999)
Directed by: Mark Pellington
Cinematography by: Bobby Bukowski
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Optical Camera Operator
Billy's Hollywood Screen Kiss (1998)
Directed by: Tommy O'Haver
Cinematography by: Mark Mervis
Edited by: Jeff Betancourt
Cameras: Panavision Silent Reflex PSR Camera
Optical Camera
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Optical Camera
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Optical Camera
Apt Pupil (1998)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Optical Camera
The Replacement Killers (1998)
Directed by: Antoine Fuqua
Cinematography by: Peter Lyons Collister
Edited by: Jay Cassidy
Optical Camera
Two for Texas (1998)
Directed by: Rod Hardy
Cinematography by: David Connell
Edited by: Michael D. Ornstein
Optical Camera
A Price Above Rubies (1998)
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Arthur Coburn
Optical Camera
Firestorm (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Optical Camera
A Simple Plan (1998)
Directed by: Sam Raimi
Cinematography by: Alar Kivilo
Cameras: Panavision Panaflex Platinum Camera
Optical Camera
Wild Things (1998)
Directed by: John McNaughton
Cinematography by: Jeffrey L. Kimball
Edited by: Elena Maganini
Optical Camera Operator
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Optical Camera
The Big Hit (1998)
Directed by: Kirk Wong
Cinematography by: Danny Nowak
Cameras: Panavision Panaflex Platinum Camera
Optical Camera
Shadrach (1998)
Directed by: Susanna Styron
Cinematography by: Hiro Narita
Edited by: Colleen Sharp
Optical Camera
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Optical Camera Operator
A Night at the Roxbury (1998)
Directed by: John Fortenberry
Cinematography by: Francis Kenny
Edited by: Jay Kamen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Optical Camera
Clay Pigeons (1998)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Edited by: Stan Salfas
Optical Camera
Phoenix (1998)
Directed by: Danny Cannon
Cinematography by: James L. Carter
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Optical Camera Operator
Woo (1998)
Directed by: Daisy von Scherler Mayer
Cinematography by: Jean Lépine
Optical Camera
Palmetto (1998)
Directed by: Volker Schlöndorff
Cinematography by: Thomas Kloss
Edited by: Peter Przygodda
Optical Camera
The Patriot (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Derek Brechin
Cameras: Panavision Cameras
Optical Camera Operator
Love! Valour! Compassion! (1997)
Directed by: Joe Mantello
Cinematography by: Alik Sakharov
Edited by: Colleen Sharp
Optical Camera Operator
That Old Feeling (1997)
Directed by: Carl Reiner
Cinematography by: Steve Mason
Edited by: Richard Halsey
Optical Camera Operator
Clockwatchers (1997)
Directed by: Jill Sprecher
Cinematography by: Jim Denault
Edited by: Stephen Mirrione
Cameras: ARRI Cameras
Optical Camera Operator
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Optical Camera Operator
I Know What You Did Last Summer (1997)
Directed by: Jim Gillespie
Cinematography by: Denis Crossan
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Optical Camera
Soul Food (1997)
Directed by: George Tillman Jr.
Cinematography by: Paul Elliott
Edited by: John Carter
Optical Supervisor
Gang Related (1997)
Directed by: Jim Kouf
Cinematography by: Brian J. Reynolds
Edited by: Todd C. Ramsay
Optical Camera
My Brother Jack (1997)
Directed by: Anthony Caldarella
Cinematography by: Ben Kufrin
Edited by: Louis Cioffi
Optical Camera Operator
Masterminds (1997)
Directed by: Roger Christian
Cinematography by: Nic Morris
Edited by: Robin Russell
Optical Camera Operator
The Devil's Own (1997)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Optical Camera Operator
My Best Friend's Wedding (1997)
Directed by: P.J. Hogan
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Optical Camera Operator
B*A*P*S (1997)
Directed by: Robert Townsend
Cinematography by: Bill Dill
Edited by: Patrick Kennedy
Optical Camera
Breast Men (1997)
Directed by: Lawrence O'Neil
Cinematography by: Robert M. Stevens
Edited by: Michael Jablow
Optical Camera Operator
Gridlock'd (1997)
Directed by: Vondie Curtis-Hall
Cinematography by: Bill Pope
Edited by: Christopher Koefoed
Optical Camera Operator
Truth or Consequences, N.M. (1997)
Directed by: Kiefer Sutherland
Cinematography by: Ric Waite
Edited by: Lawrence Jordan
Optical Camera Operator
Meet Wally Sparks (1997)
Directed by: Peter Baldwin
Cinematography by: Richard H. Kline
Edited by: Raúl Dávalos
Optical Camera Operator
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Optical Camera Operator
Nowhere (1997)
Directed by: Gregg Araki
Cinematography by: Arturo Smith
Edited by: Gregg Araki
Optical Camera Operator
Fools Rush In (1997)
Directed by: Andy Tennant
Cinematography by: Robbie Greenberg
Edited by: Roger Bondelli
Optical Camera Operator
Gattaca (1997)
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Optical Camera Operator
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Optical Camera Operator
Albino Alligator (1996)
Directed by: Kevin Spacey
Cinematography by: Mark Plummer
Edited by: Jay Cassidy
Optical Camera Operator
To Gillian on Her 37th Birthday (1996)
Directed by: Michael Pressman
Cinematography by: Tim Suhrstedt
Edited by: William S. Scharf
Cameras: Panavision Cameras
Optical Camera Operator
Bed of Roses (1996)
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Optical Camera Operator
Kingpin (1996)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
