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Eastman Kodak | 818 Titles

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Boy (2010)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Chris Plummer

Starring | James Rolleston, Te Aho Eketone-Whitu, Taika Waititi, Moerangi Tihore

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Unthinkable (2010)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Unthinkable | ShotOnWhat?

Directed by | Gregor Jordan | Cinematography by | Oliver Stapleton | Editing by | Scott Chestnut

Starring | Samuel L. Jackson, Carrie-Anne Moss, Michael Sheen, Stephen Root

Trade of Innocents (2012)

Motion Picture | 2D | Color | 2.40:1 | 88 Minutes

Directed by | Christopher M. Bessette | Cinematography by | Philip Hurn | Editing by | Diane Brunjes

Starring | Dermot Mulroney, Mira Sorvino, John Billingsley, Trieu Tran

Cameras | Red One MX Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Rush (2013)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Ron Howard | Cinematography by | Anthony Dod Mantle | Editing by | Daniel P. Hanley, Mike Hill

Starring | Daniel Brühl, Chris Hemsworth, Olivia Wilde, Alexandra Maria Lara

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Jack Ryan: Shadow Recruit (2014)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 105 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh

Starring | Chris Pine, Kevin Costner, Keira Knightley, Kenneth Branagh

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses | Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Edge of Tomorrow (2014)

Motion Picture | 3D | Color | 2.39:1 | 113 Minutes

Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings

Starring | Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Guilt Trip (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly

Starring | Barbra Streisand, Seth Rogen, Julene Renee, Zabryna Guevara

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

The Company You Keep (2012)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Robert Redford | Cinematography by | Adriano Goldman | Editing by | Mark Day

Starring | Robert Redford, Brit Marling, Stanley Tucci, Nick Nolte

Cameras | ARRICAM Lite (LT) Camera

Lion of the Desert (1980)

Motion Picture | 2D | Black & White, Color | 1.78:1 (16x9), 2.35:1 | 173 Minutes

Directed by | Moustapha Akkad | Cinematography by | Jack Hildyard | Editing by | John Shirley

Starring | Anthony Quinn, Oliver Reed, Rod Steiger, Irene Papas

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Butler (2013)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz

Starring | Forest Whitaker, Oprah Winfrey, John Cusack, Jane Fonda

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Lego Movie (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 100 Minutes

Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay

Starring | Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett

Cameras | ARRI ALEXA Series Cameras

2012 (2009)

Motion Picture | 2D, 3D | Color | 2.39:1 | 158 Minutes

Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot

Starring | John Cusack, Thandiwe Newton, Chiwetel Ejiofor, Amanda Peet

Cameras | Panavision Cameras, Panavision Genesis Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Incredible Burt Wonderstone (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall

Starring | Steve Carell, Luke Vanek, Steve Buscemi, Mason Cook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Pursuit of Happiness (2001)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | Vanick Moradian

Starring | Frank Whaley, Annabeth Gish, Amy Jo Johnson, Patrick Van Horn

Cameras | ARRIFLEX 35 Camera

Lenses | Angenieux Lenses, Cooke Lenses

Admission (2013)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Paul Weitz | Cinematography by | Declan Quinn | Editing by | Joan Sobel

Starring | Tina Fey, Paul Rudd, Nat Wolff, Gloria Reuben

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Call (2013)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Brad Anderson | Cinematography by | Thomas Yatsko | Editing by | Avi Youabian

Starring | Halle Berry, Evie Thompson, Abigail Breslin, Morris Chestnut

Cameras | ARRI ALEXA Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses

Olympus Has Fallen (2013)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Antoine Fuqua | Cinematography by | Conrad W. Hall | Editing by | John Refoua

Starring | Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Elysium (2013)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith

Starring | Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga

Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dead Man Down (2013)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Dead Man Down | ShotOnWhat?

Directed by | Niels Arden Oplev | Cinematography by | Paul Cameron | Editing by | Timothy A. Good, Frédéric Thoraval

Starring | Colin Farrell, Noomi Rapace, Dominic Cooper, Terrence Howard

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens

Pain & Gain (2013)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron

Starring | Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub

Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses

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