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Eastman Kodak | 818 Titles

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Winter’s Tale (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Akiva Goldsman | Cinematography by | Caleb Deschanel | Editing by | Tim Squyres, Wayne Wahrman

Starring | Colin Farrell, Jessica Brown Findlay, Russell Crowe, Jennifer Connelly

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Anchorman 2: The Legend Continues (2013)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Melissa Bretherton, Brent White

Starring | Will Ferrell, Christina Applegate, Paul Rudd, Steve Carell

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Vatertage – Opa über Nacht (2012)

Motion Picture | 2D | Color | 2.35:1 | 93 Minutes

Directed by | Ingo Rasper | Cinematography by | Ueli Steiger | Editing by | Ueli Christen

Starring | Sebastian Bezzel, Sarah Horvath, Monika Gruber, Mika Sieger

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Frau Ella (2013)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr

Starring | Matthias Schweighöfer, Ruth-Maria Kubitschek, August Diehl, Anna Bederke

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

The Best Man Holiday (2013)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh

Starring | Monica Calhoun, Morris Chestnut, Melissa De Sousa, Taye Diggs

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Runner Runner (2013)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Brad Furman | Cinematography by | Mauro Fiore | Editing by | Jeff McEvoy

Starring | Ben Affleck, Justin Timberlake, Gemma Arterton, Anthony Mackie

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Enough Said (2013)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Nicole Holofcener | Cinematography by | Xavier Grobet | Editing by | Robert Frazen

Starring | Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette

Cameras | ARRI ALEXA Studio Camera

Lenses | Leitz Summilux-C Series Lenses

The Family (2013)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 111 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey

Starring | Robert De Niro, Michelle Pfeiffer, Dianna Agron, John D'Leo

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Kai Rabe gegen die Vatikankiller (1998)

Motion Picture | 2D | Color | 2.35:1 | 92 Minutes

Kai Rabe gegen die Vatikankiller | ShotOnWhat?

Directed by | Thomas Jahn | Cinematography by | Piotr Lenar | Editing by | Andrea Mertens

Starring | Steffen Wink, Klaus J. Behrendt, Sandra Speichert, Stefan Jürgens

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses | Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses

Turbo (2013)

Motion Picture | 3D | Color | 2.39:1 | 96 Minutes

Directed by | David Soren | Cinematography by | Chris Stover | Editing by | James Ryan

Starring | Ryan Reynolds, Paul Giamatti, Maya Rudolph, Samuel L. Jackson

2 Guns (2013)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Baltasar Kormákur | Cinematography by | Oliver Wood | Editing by | Michael Tronick

Starring | Denzel Washington, Mark Wahlberg, Paula Patton, Bill Paxton

Cameras | Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Out of the Furnace (2013)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Scott Cooper | Cinematography by | Masanobu Takayanagi | Editing by | David Rosenbloom

Starring | Christian Bale, Casey Affleck, Zoe Saldaña, Woody Harrelson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

The Bling Ring (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 90 Minutes

Directed by | Sofia Coppola | Cinematography by | Christopher Blauvelt, Harris Savides | Editing by | Sarah Flack

Starring | Katie Chang, Israel Broussard, Emma Watson, Claire Julien

Cameras | Red Epic Camera

The Purge (2013)

Motion Picture | 2D | Color | 85 Minutes

Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Peter Gvozdas

Starring | Ethan Hawke, Lena Headey, Max Burkholder, Adelaide Kane

Cameras | ARRI ALEXA Plus Camera

The Heat (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Jay Deuby, Brent White

Starring | Sandra Bullock, Michael McDonald, Melissa McCarthy, Demián Bichir

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

32A (2007)

Motion Picture | 2D | Color | 1.66:1 | 89 Minutes

32A | ShotOnWhat?

Directed by | Marian Quinn | Cinematography by | P.J. Dillon | Editing by | Rune Schweitzer

Starring | Ailish McCarthy, Sophie Jo Wasson, Orla Long, Riona Smith

Cameras | ARRI Cameras

Defiance (2008)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 137 Minutes

Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum

Starring | Daniel Craig, Liev Schreiber, Jamie Bell, Alexa Davalos

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Chrysalis (2007)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Julien Leclercq | Cinematography by | Thomas Hardmeier | Editing by | Thierry Hoss

Starring | Albert Dupontel, Marie Guillard, Marthe Keller, Mélanie Thierry

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Soshite chichi ni naru (2013)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Mikiya Takimoto | Editing by | Hirokazu Koreeda

Starring | Masaharu Fukuyama, Machiko Ono, Yôko Maki, Lily Franky

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Super Speed Lenses

12 Years a Slave (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Chiwetel Ejiofor, Michael Kenneth Williams, Michael Fassbender, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

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