Eastman Kodak | 818 Titles
Agent Cody Banks (2003)
Directed by | Harald Zwart | Cinematography by | Denis Crossan | Editing by | Jim Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Hunger Games: Mockingjay – Part 2 (2015)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
This Is Where I Leave You (2014)
Directed by | Shawn Levy | Cinematography by | Terry Stacey | Editing by | Dean Zimmerman
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Non-Stop (2014)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Jim May
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Judge (2014)
Dracula Untold (2014)
Directed by | Gary Shore | Cinematography by | John Schwartzman | Editing by | Richard Pearson
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Annabelle (2014)
Drive Thru (2007)
Directed by | Brendan Cowles, Shane Kuhn | Cinematography by | Vincent E. Toto | Editing by | Daniel R. Padgett
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens
Teenage Mutant Ninja Turtles (2014)
Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Purge: Anarchy (2014)
Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Vince Filippone, Todd E. Miller
Cameras | ARRI ALEXA XT Camera
Fury (2014)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Tammy (2014)
Léon: The Professional (1994)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux HR Zoom Lenses, Technovision Lenses
3 Days to Kill (2014)
Directed by | McG | Cinematography by | Thierry Arbogast | Editing by | Audrey Simonaud
Lenses | Technovision Lenses, Zeiss Super Speed Lenses
Dallas Buyers Club (2013)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée
Cameras | ARRI ALEXA Camera
Lenses | ARRI / Zeiss Lenses
Transcendence (2014)
Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Rue Mandar (2012)
Directed by | Idit Cebula | Cinematography by | Rémy Chevrin | Editing by | Célia Lafitedupont
Cameras | Red Epic Camera
Quartet (2012)
Lone Survivor (2013)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.
Cameras | Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens
The Hunger Games: Mockingjay – Part 1 (2014)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
