Eastman Color Print 5384/7384 | 36 Titles
Home Alone 2: Lost in New York (1992)
Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell
Cameras | Panavision Panaflex Platinum Camera
The Goonies (1985)
Directed by | Richard Donner | Cinematography by | Nick McLean | Editing by | Michael Kahn, Steven Spielberg
Cameras | ARRIFLEX 35 III Camera
Terminator 2: Judgment Day (1991)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Back to the Future (1985)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt
Back to the Future Part II (1989)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras
Born on the Fourth of July (1989)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing
Cameras | Panavision Cameras, Panavision Panaflex Camera
Lenses | Panavision Lenses
Honey I Blew Up the Kid (1992)
Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson
Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras
Lenses | Canon K35 Prime Lenses
The Living Daylights (1987)
Directed by | John Glen | Cinematography by | Alec Mills | Editing by | Peter Davies, John Grover
Cameras | ARRI Cameras
RoboCop (1987)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
Who Framed Roger Rabbit (1988)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Camera, VistaVision Cameras
Lenses | Panavision Lenses
Ferris Bueller’s Day Off (1986)
Directed by | John Hughes | Cinematography by | Tak Fujimoto | Editing by | Paul Hirsch
Cameras | Panavision Cameras
Blue Thunder (1983)
Directed by | John Badham | Cinematography by | John A. Alonzo | Editing by | Edward M. Abroms, Frank Morriss
Cameras | Panavision Cameras
Dune (1984)
Indiana Jones and the Temple of Doom (1984)
Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas
Cameras | Panavision Panaflex Gold Camera
They Live (1988)
Directed by | John Carpenter | Cinematography by | Gary B. Kibbe | Editing by | Gib Jaffe, Frank E. Jimenez
Cameras | Panavision Panaflex Gold Camera
Baraka (1992)
Directed by | Ron Fricke | Cinematography by | Ron Fricke | Editing by | David Aubrey, Ron Fricke, Mark Magidson
Cameras | Todd-AO 65mm Camera
Lenses | Schneider Lenses
Dances with Wolves (1990) 
Directed by | Kevin Costner | Cinematography by | Dean Semler | Editing by | William Hoy, Chip Masamitsu, Steve Potter, Neil Travis
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The NeverEnding Story (1984)
Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Jane Seitz
Lenses | Technovision Lenses
The Breakfast Club (1985)
Directed by | John Hughes | Cinematography by | Thomas Del Ruth | Editing by | Dede Allen
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The Untouchables (1987)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Gerald B. Greenberg, Bill Pankow
Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision Lenses
