Vertical Film Print Orientation | 1284 Titles
Safety Not Guaranteed (2012)
Directed by | Colin Trevorrow | Cinematography by | Benjamin Kasulke | Editing by | Joe Landauer, Franklin Peterson
Cameras | Sony PMW-F3 Camera
Lenses | Panavision Ultra Speed MKII Lenses
Northfork (2003)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Leo Trombetta
Lenses | Panavision Primo Anamorphic Lenses
Wyatt Earp (1994)
The Fly (1986)
Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Ronald Sanders
Cameras | ARRIFLEX Camera
My Brother the Devil (2012)
Directed by | Sally El Hosaini | Cinematography by | David Raedeker | Editing by | Iain Kitching
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Roseanna’s Grave (1997)
Lebanon, Pa. (2010)
Directed by | Ben Hickernell | Cinematography by | MJ Schirmer | Editing by | Ben Hickernell
Cameras | Red One Camera
Lenses | ARRI / Zeiss Lenses, Zeiss Lenses
We Were Soldiers (2002)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy
Cameras | Panavision Panaflex Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
28 Weeks Later (2007)
Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera
Good Will Hunting (1997)
Directed by | Gus Van Sant | Cinematography by | Jean-Yves Escoffier | Editing by | Pietro Scalia
Cameras | Panavision Cameras
Lenses | Panavision Lenses
When in Rome (2010)
Directed by | Mark Steven Johnson | Cinematography by | John Bailey | Editing by | Ryan Folsey, Andrew Marcus
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Arn: Tempelriddaren (2007)
Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen
Jûsan-nin no shikaku (2010)
Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita
Cameras | ARRI Cameras
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
3 Ninjas Knuckle Up (1995)
Directed by | Sang-ok Shin | Cinematography by | Eugene D. Shlugleit | Editing by | Pamela Choules
Cameras | Panavision Cameras
Lenses | Panavision Lenses
3 Needles (2005)
Directed by | Thom Fitzgerald | Cinematography by | Tom Harting | Editing by | Susan Shanks
Cameras | ARRIFLEX 35 BL4 Camera
1492: Conquest of Paradise (1992)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman
Belizaire the Cajun (1986)
Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Ransom (1996)
Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Red Tails (2012)
Directed by | Anthony Hemingway | Cinematography by | John B. Aronson | Editing by | Ben Burtt, Michael O'Halloran
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
J.S.A.: Joint Security Area (2000)
Directed by | Chan-wook Park | Cinematography by | Sung-Bok Kim | Editing by | Sang-beom Kim
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
