Vertical Film Print Orientation | 1284 Titles
Arlington Road (1999)
Directed by | Mark Pellington | Cinematography by | Bobby Bukowski | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Bridge to Terabithia (2007)
Directed by | Gabor Csupo | Cinematography by | Michael Chapman | Editing by | John Gilbert
Cameras | Panavision Cameras
Triumph of the Spirit (1989)
Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn
The Hudsucker Proxy (1994)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Thom Noble
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Bringing Out the Dead (1999)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
A Prayer for the Dying (1987)
Directed by | Mike Hodges | Cinematography by | Michael Garfath | Editing by | Peter Boyle
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Lost in America (1985)
Directed by | Albert Brooks | Cinematography by | Eric Saarinen | Editing by | David Finfer
Cameras | Panavision Panaflex Gold Camera
Fright Night (2011)
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | Red One MX Camera
Lenses | Zeiss Master Prime Lenses
A Summer in Genoa (2008)
Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Paul Monaghan, Michael Winterbottom
Cameras | Sony HDW-750 Camera, Sony HVR-V1(P/E) Camera
Edge of Darkness (2010)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | Panavision Panaflex Platinum Camera
56 Drops of Blood (2007)
Directed by | Attila Bokor | Cinematography by | András Szalai | Editing by | Tibor Szatory
Cameras | Sony HDW-F900 Camera
A League of Their Own (1992)
Directed by | Penny Marshall | Cinematography by | Miroslav Ondrícek | Editing by | Adam Bernardi, George Bowers
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Swordfish (2001)
2 Days in Paris (2007)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Julie Delpy
Cameras | Sony HDW-750 Camera
The Island (2005)
Directed by | Michael Bay | Cinematography by | Mauro Fiore | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Dangerous Liaisons (1988)
Directed by | Stephen Frears | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley
Cameras | Moviecam 3N Camera
Lenses | Angenieux Lenses, Zeiss Super Speed Lenses
101 Dalmatians (1996)
Directed by | Stephen Herek | Cinematography by | Adrian Biddle | Editing by | Trudy Ship
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Aliens (1986)
Directed by | James Cameron | Cinematography by | Adrian Biddle | Editing by | Ray Lovejoy
Lenses | Canon K35 Prime Lenses
Wild Hogs (2007)
Directed by | Walt Becker | Cinematography by | Robbie Greenberg | Editing by | Christopher Greenbury, Stuart H. Pappé
Cameras | Panavision Cameras