16mm Film Negative Width | 232 Titles
The Gigolos (2006)
Directed by | Richard Bracewell | Cinematography by | Richard Bracewell | Editing by | Craig Cotterill
Cameras | Aaton XTR Plus Camera
Moonrise Kingdom (2012)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Cameras | Aaton A-Minima Camera, Aaton Xterà Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
W.E. (2011)
Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull
Lenses | Zeiss Ultra Prime Lenses
The Wrestler (2008)
Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera
Argo (2012)
Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg
Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Mørke sjeler (2010)
Directed by | César Ducasse, Mathieu Peteul | Cinematography by | César Ducasse, Mathieu Peteul | Editing by | César Ducasse, Mathieu Peteul
Marley (2012)
Directed by | Kevin Macdonald | Cinematography by | Mike Eley, Alwin H. Küchler, Wally Pfister | Editing by | Dan Glendenning
Blue Valentine (2010)
Directed by | Derek Cianfrance | Cinematography by | Andrij Parekh | Editing by | Jim Helton, Ron Patane
Cameras | ARRIFLEX 416 Camera, Red One Camera
Lenses | Angenieux Lenses, Zeiss Lenses
20 sigarette (2010)
Directed by | Aureliano Amadei | Cinematography by | Vittorio Omodei Zorini | Editing by | Alessio Doglione
Cameras | ARRIFLEX 416 Camera
180º (2010)
Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne
Cameras | ARRICAM Lite (LT) Camera
Travelers and Magicians (2003)
Directed by | Khyentse Norbu | Cinematography by | Alan Kozlowski | Editing by | Andrew McCormick, Lisa-Anne Morris, John Scott
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
Half Nelson (2006)
Directed by | Ryan Fleck | Cinematography by | Andrij Parekh | Editing by | Anna Boden
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
’79 Parts (2016)
Directed by | Ari Taub | Cinematography by | Reed Nisson, Minos Papas | Editing by | Irina Abraham, Ernie Fritz, Lydia Robertson
Cameras | ARRI Cameras
Lenses | ARRI / Zeiss Lenses
Lie with Me (2005)
Directed by | Clement Virgo | Cinematography by | Barry Stone | Editing by | Susan Maggi
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
Taking Woodstock (2009)
Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Junebug (2005)
Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
Southern Justice (2006)
Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses
Chasing Amy (1997)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRI Cameras, Kinarri 16 Camera
Lenses | ARRI Lenses
Apollo 18 (2011)
Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier
Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses | Panavision Primo Digital Lenses
Simon (2004)
Directed by | Eddy Terstall | Cinematography by | Willem Nagtglas | Editing by | Ben Isaacs
Cameras | Aaton Cameras