16mm Film Negative Width | 244 Titles
March of the Penguins (2005)
Directed by | Luc Jacquet | Cinematography by | Laurent Chalet, Jérôme Maison | Editing by | Sabine Emiliani
Cameras | Aaton XTR Prod Camera
Unknown (2011)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera
The Constant Gardener (2005)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux HR Zoom Lenses
An Inconvenient Truth (2006)
Directed by | Davis Guggenheim | Cinematography by | Davis Guggenheim, Robert Richman | Editing by | Jay Cassidy, Dan Swietlik
Cameras | Sony HDC-F950 Camera
The GWARnage Campaign (2002)
360 (2011)
Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses
Man on Fire (2004)
Directed by | Tony Scott | Cinematography by | Paul Cameron | Editing by | Christian Wagner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Friday Night (2002)
Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera
Thirteen (2003)
Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses
Everything Moves Alone (2001)
Directed by | Mike Aransky, Thomas Edward Seymour | Cinematography by | Mike Aransky, Thomas Edward Seymour | Editing by | Mike Aransky, Philip Guerette, Thomas Edward Seymour
Cameras | Aaton XTR Camera
Dirty Laundry (Air It Out) (2003)
Directed by | Shannon Newby | Cinematography by | MJ Schirmer | Editing by | Erik Hammarberg, Shannon Newby
Cameras | ARRI Cameras, Cinema Products Cameras
Lenses | Angenieux Lenses
24 7: Twenty Four Seven (1997)
Directed by | Shane Meadows | Cinematography by | Ashley Rowe | Editing by | William Diver
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Lenses
The Runaways (2010)
Directed by | Floria Sigismondi | Cinematography by | Benoît Debie | Editing by | Richard Chew
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Master Prime Lenses
Machine Gun Preacher (2011)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
El Mariachi (1992)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRIFLEX 16S Camera
April’s Fool (2001)
Directed by | Paul Geiger | Cinematography by | Jeff Barklage | Editing by | Paul Geiger
Cameras | ARRI Cameras
Babel (2006)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Blindness (2008)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera
Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
American Gun (2005)
Directed by | Aric Avelino | Cinematography by | Nancy Schreiber | Editing by | Richard Nord
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses
Waiting for Guffman (1996)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Andy Blumenthal
Cameras | Aaton Cameras, Aaton XTR Prod Camera
