16mm Film Negative Width | 244 Titles
Dark Frontier (2009)
Directed by | Kriv Stenders | Cinematography by | Jules O'Loughlin | Editing by | Gabriella Muir
Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera
Szabadgyalog (1981)
Directed by | Béla Tarr | Cinematography by | Barna Mihók, Ferenc Pap | Editing by | Ágnes Hranitzky
Cameras | ARRI Cameras
The Guys (2002)
Directed by | Jim Simpson | Cinematography by | Maryse Alberti | Editing by | Sarah Flack
Cameras | Aaton Cameras, Panavision Cameras
Third Star (2010)
Directed by | Hattie Dalton | Cinematography by | Carlos Catalán | Editing by | Peter Christelis
Cameras | ARRI Cameras
Return (2011)
Directed by | Liza Johnson | Cinematography by | Anne Etheridge | Editing by | Paul Zucker
Cameras | ARRIFLEX 416 Camera
Lenses | Cooke S4 Lenses
Adventures of Power (2008)
Directed by | Ari Gold | Cinematography by | Lisa Wiegand | Editing by | Geraud Brisson
Lenses | Zeiss Super Speed Lenses
Boogie Nights (1997)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
The Brown Bunny (2003)
Directed by | Vincent Gallo | Cinematography by | Vincent Gallo | Editing by | Vincent Gallo
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
The Fast Life (2003)
Directed by | Douglas Elford-Argent | Cinematography by | William M. Miller | Editing by | Kishore Verma
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | ARRI / Zeiss Lenses
A Trip to Swadades (2008)
Directed by | Daniel Kremer | Cinematography by | Aaron Hollander | Editing by | Daniel Kremer
Cameras | Aaton XTR Prod Camera
Lake Mungo (2008)
Old Joy (2006)
Directed by | Kelly Reichardt | Cinematography by | Peter Sillen | Editing by | Kelly Reichardt
Cameras | Aaton A-Minima Camera
Lenses | Zeiss Super Speeds Mk I Lenses
The Loss of Sexual Innocence (1999)
Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Hustle & Flow (2005)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Ultra Prime Lenses
The Evil Dead (1981)
Directed by | Sam Raimi | Cinematography by | Tim Philo | Editing by | Edna Ruth Paul
Cameras | ARRIFLEX 16BL Camera, ARRIFLEX 16S Camera
Broken Embraces (2009)
Directed by | Pedro Almodóvar | Cinematography by | Rodrigo Prieto | Editing by | José Salcedo, Roberto Serrano
Cameras | ARRIFLEX 416 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra 16 Lenses
Beasts of the Southern Wild (2012)
Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera
Lenses | Zeiss Super Speed Lenses
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
United 93 (2006)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses
A Chronicle of Corpses (2000)
Directed by | Andrew Repasky McElhinney | Cinematography by | Abe Holtz | Editing by | Ron Kalish
Cameras | Aaton Cameras
