Eastman EXR Neg. Film | 261 Titles
Assassins (1995)
Directed by | Richard Donner | Cinematography by | Vilmos Zsigmond | Editing by | Lawrence Jordan, Richard Marks
Les acteurs (2000)
Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Claudine Merlin
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Sweet Hereafter (1997)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Gold II Camera
Wyatt Earp (1994)
Cinderella Man (2005)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Rear Window (1954)
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini
Cameras | Mitchell BNC Camera
Roseanna’s Grave (1997)
We Were Soldiers (2002)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy
Cameras | Panavision Panaflex Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
1492: Conquest of Paradise (1992)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman
Ransom (1996)
Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
J.S.A.: Joint Security Area (2000)
Directed by | Chan-wook Park | Cinematography by | Sung-Bok Kim | Editing by | Sang-beom Kim
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
The Hudsucker Proxy (1994)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Thom Noble
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
A League of Their Own (1992)
Directed by | Penny Marshall | Cinematography by | Miroslav Ondrícek | Editing by | Adam Bernardi, George Bowers
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Cast Away (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Brother from Another Planet (1984)
Directed by | John Sayles | Cinematography by | Ernest R. Dickerson | Editing by | John Sayles
Cameras | ARRIFLEX 35 BL2 Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Snow Falling on Cedars (1999)
Directed by | Scott Hicks | Cinematography by | Robert Richardson | Editing by | Hank Corwin
Cameras | Panavision Panaflex Platinum Camera
The Saint (1997)
Directed by | Phillip Noyce | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Die Hard 2 (1990)
Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Solar Crisis (1990)
Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor
Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Pollock (2000)
