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Eastman EXR Neg. Film | 261 Titles

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Free Willy (1993)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Simon Wincer | Cinematography by | Robbie Greenberg | Editing by | O. Nicholas Brown

Starring | Jason James Richter, Lori Petty, Michael Madsen, Jayne Atkinson

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

DragonHeart (1996)

Motion Picture | Color | 2.39:1 | 103 Minutes

Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson

Starring | Dennis Quaid, Sean Connery, Dina Meyer, Pete Postlethwaite

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Evita (1996)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

Directed by | Alan Parker | Cinematography by | Darius Khondji | Editing by | Gerry Hambling

Starring | Madonna, Jonathan Pryce, Antonio Banderas, Jimmy Nail

Cameras | Moviecam Compact Camera

Lenses | Cooke Xtal Express Lenses

Steal Big Steal Little (1995)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Andrew Davis | Cinematography by | Frank Tidy | Editing by | Don Brochu, Tina Hirsch

Starring | Andy Garcia, Alan Arkin, Rachel Ticotin, Joe Pantoliano

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

Alien: Resurrection (1997)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Darius Khondji | Editing by | Hervé Schneid

Starring | Sigourney Weaver, Winona Ryder, Dominique Pinon, Ron Perlman

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Amistad (1997)

Motion Picture | 2D | Color | 1.85:1 | 155 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Djimon Hounsou, Matthew McConaughey, Anthony Hopkins, Morgan Freeman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Zeiss Super Speed Lenses

From Hell (2001)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

From Hell | ShotOnWhat?

Directed by | Albert Hughes, Allen Hughes | Cinematography by | Peter Deming | Editing by | George Bowers, Dan Lebental

Starring | Johnny Depp, Heather Graham, Ian Holm, Robbie Coltrane

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Abominable (2006)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Ryan Schifrin | Cinematography by | Neal Fredericks | Editing by | Chris Conlee

Starring | Matt McCoy, Haley Joel, Christien Tinsley, Karin Anna Cheung

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

All the Pretty Horses (2000)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

All the Pretty Horses | ShotOnWhat?

Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Sally Menke

Starring | Matt Damon, Penélope Cruz, Henry Thomas, Angelina Torres

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Crazy People (1990)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Tony Bill, Barry L. Young | Cinematography by | Victor J. Kemper | Editing by | Mia Goldman

Starring | Dudley Moore, Daryl Hannah, Paul Reiser, J.T. Walsh

Cameras | ARRI ARRIFLEX Series Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Ultra Speed MKII Lenses

Far and Away (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Mikael Salomon | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Cruise, Nicole Kidman, Thomas Gibson, Robert Prosky

Cameras | ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision 65mm Prime Lenses, Zeiss Lenses

Saving Private Ryan (1998)

Motion Picture | 2D | Color | 1.85:1 | 169 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns

Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Magnolia (1999)

Motion Picture | 2D | Color | 2.39:1 | 188 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Tom Cruise, Jason Robards, Julianne Moore, Philip Seymour Hoffman

Cameras | Panavision Cameras, Pathé Cameras

Lenses | Panavision Lenses

Black Hawk Down (2001)

Motion Picture | 2D | Color | 2.39:1 | 144 Minutes

Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia

Starring | Josh Hartnett, Ewan McGregor, Tom Sizemore, Eric Bana

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

No Escape (1994)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Ray Liotta, Lance Henriksen, Stuart Wilson, Kevin Dillon

Cameras | ARRIFLEX 35 BL4 Camera

I Am Sam (2001)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Jessie Nelson | Cinematography by | Elliot Davis | Editing by | Richard Chew

Starring | Sean Penn, Michelle Pfeiffer, Dakota Fanning, Dianne Wiest

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

Armageddon (1998)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 151 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Starring | Bruce Willis, Billy Bob Thornton, Ben Affleck, Liv Tyler

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Titanic (1997)

Motion Picture | 2D, 3D | 4K Project, Film Project | Color | 1.78:1 (16x9), 2.39:1 | 194 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris

Starring | Leonardo DiCaprio, Kate Winslet, Billy Zane, Kathy Bates

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Vanilla Sky (2001)

Motion Picture | 2D | Color | 1.85:1 | 136 Minutes

Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Mark Livolsi

Starring | Tom Cruise, Penélope Cruz, Cameron Diaz, Kurt Russell

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Chorus (2004)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Christophe Barratier | Cinematography by | Jean-Jacques Bouhon, Dominique Gentil, Carlo Varini | Editing by | Yves Deschamps

Starring | Gérard Jugnot, François Berléand, Jean-Baptiste Maunier, Kad Merad

Lenses | Hawk Anamorphic Lenses

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