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Eastman EXR 500T 5296 Neg. Film | 46 Titles

Eastman EXR 500T 5296 Neg. Film 5.00/5 1 Vote

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True Lies (1994)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 2.20:1, 2.39:1 | 141 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Starring | Arnold Schwarzenegger, Jamie Lee Curtis, Tom Arnold, Bill Paxton

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Forrest Gump (1994)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Robin Wright, Gary Sinise, Sally Field

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Legends of the Fall (1994)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 133 Minutes

Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Steven Rosenblum

Starring | Brad Pitt, Anthony Hopkins, Aidan Quinn

Cameras | Panavision Panaflex Gold II Camera

Lenses | Canon Lenses, Panavision Lenses

Home Alone 2: Lost in New York (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell

Starring | Macaulay Culkin, Joe Pesci, Daniel Stern, Catherine O'Hara

Cameras | Panavision Panaflex Platinum Camera

Ghost (1990)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Jerry Zucker | Cinematography by | Adam Greenberg | Editing by | Walter Murch

Starring | Patrick Swayze, Demi Moore, Whoopi Goldberg

Cameras | ARRI ARRIFLEX Series Cameras

Home Alone (1990)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell

Starring | Macaulay Culkin, Joe Pesci, Daniel Stern, John Heard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Lenses

Terminator 2: Judgment Day (1991)

Motion Picture | 2D | Film Project | Color | 137 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Starring | Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Schindler’s List (1993)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 195 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Liam Neeson, Ralph Fiennes, Ben Kingsley, Caroline Goodall

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Jurassic Park (1993)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Steven Spielberg | Cinematography by | Dean Cundey | Editing by | Michael Kahn

Starring | Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Honey I Blew Up the Kid (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 89 Minutes

Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson

Starring | Rick Moranis, Marcia Strassman, Robert Oliveri, Daniel Shalikar

Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses | Canon K35 Prime Lenses

Léon: The Professional (1994)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra

Starring | Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HR Zoom Lenses, Technovision Lenses

Always Something Better (1997)

Motion Picture | 2D | Color | 90 Minutes

Always Something Better | ShotOnWhat?

Directed by | Stephen Kinsella | Cinematography by | Jorge Diaz-Amador | Editing by | Kristin M. Frascione

Starring | Nicole Cannon, Chris Sery, Candis Cayne, Lina Bradford

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux HEC 12-120 mm T2.1 Lens, Zeiss Super Speeds Mk I Lenses

I Love You to Death (1990)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Anne V. Coates

Starring | Kevin Kline, Tracey Ullman, William Hurt, Joan Plowright

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

The Last of the Mohicans (1992)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 112 Minutes

The Last of the Mohicans | ShotOnWhat?

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Dov Hoenig, Arthur Schmidt

Starring | Daniel Day-Lewis, Madeleine Stowe, Russell Means, Eric Schweig

Cameras | Panavision Cameras

Dogfight (1991)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Dogfight | ShotOnWhat?

Directed by | Nancy Savoca | Cinematography by | Bobby Bukowski | Editing by | John Tintori

Starring | River Phoenix, Lili Taylor, Richard Panebianco, Anthony Clark

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Cooke Lenses

Final Analysis (1992)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Final Analysis | ShotOnWhat?

Directed by | Phil Joanou | Cinematography by | Jordan Cronenweth | Editing by | Thom Noble

Starring | Richard Gere, Kim Basinger, Uma Thurman, Eric Roberts

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Camp Nowhere (1994)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Camp Nowhere | ShotOnWhat?

Directed by | Jonathan Prince | Cinematography by | Sandi Sissel | Editing by | Jon Poll

Starring | Jonathan Jackson, Christopher Lloyd, John Putch, Peter Scolari

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Fresh (1994)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Fresh | ShotOnWhat?

Directed by | Boaz Yakin | Cinematography by | Adam Holender | Editing by | Dorian Harris

Starring | Sean Nelson, Giancarlo Esposito, Samuel L. Jackson, N'Bushe Wright

Cameras | Moviecam Compact Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Anamorphic Lenses

In the Line of Fire (1993)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 128 Minutes

In the Line of Fire | ShotOnWhat?

Directed by | Wolfgang Petersen | Cinematography by | John Bailey | Editing by | Anne V. Coates

Starring | Clint Eastwood, John Malkovich, Rene Russo, Dylan McDermott

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses | Panavision Primo Anamorphic Lenses

Dracula (1992)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Dracula | ShotOnWhat?

Directed by | Francis Ford Coppola | Cinematography by | Michael Ballhaus | Editing by | Anne Goursaud, Glen Scantlebury, Nicholas C. Smith

Starring | Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves

Cameras | ARRIFLEX 535 Camera

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