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Technicolor | 826 Titles

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The Polar Express (2004)

Motion Picture | 2D, 3D | Color | 2.0:1, 2.39:1 | 100 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess, Robert Presley | Editing by | R. Orlando Duenas, Jeremiah O'Driscoll

Starring | Tom Hanks, Chris Coppola, Michael Jeter, Leslie Zemeckis

Hotel Rwanda (2004)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Terry George | Cinematography by | Robert Fraisse | Editing by | Naomi Geraghty

Starring | Don Cheadle, Sophie Okonedo, Joaquin Phoenix, Xolani Mali

Enron: The Smartest Guys in the Room (2005)

Documentary | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Alex Gibney | Cinematography by | Maryse Alberti | Editing by | Alison Ellwood

Starring | John Beard, Tim Belden, Barbara Boxer, George W. Bush

Volver (2006)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo

Starring | Penélope Cruz, Carmen Maura, Lola Dueñas, Blanca Portillo

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

Monster House (2006)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 91 Minutes

Directed by | Gil Kenan | Cinematography by | Xavier Grobet | Editing by | Fabienne Rawley, Adam P. Scott

Starring | Mitchel Musso, Sam Lerner, Spencer Locke, Ryan Whitney Newman

The Little Matchgirl (2006)

Short Film | 2D | Color | 1.85:1 | 7 Minutes

Directed by | Roger Allers | Editing by | Jessica Ambinder-Rojas

Cars (2006)

Motion Picture | 2D, 3D | Color | 2.39:1 | 117 Minutes

Directed by | John Lasseter, Joe Ranft | Cinematography by | Jeremy Lasky | Editing by | Ken Schretzmann

Starring | Owen Wilson, Bonnie Hunt, Paul Newman, Larry the Cable Guy

Ratatouille (2007)

Motion Picture | 2D, 3D | Color | 2.39:1 | 111 Minutes

Directed by | Brad Bird, Jan Pinkava | Cinematography by | Robert Anderson | Editing by | Darren T. Holmes

Starring | Brad Garrett, Lou Romano, Patton Oswalt, Ian Holm

Kung Fu Panda (2008)

Motion Picture | 2D | Color | 1.44:1, 2.35:1 | 92 Minutes

Directed by | Mark Osborne, John Stevenson | Cinematography by | Yong Duk Jhun | Editing by | Clare Knight

Starring | Jack Black, Ian McShane, Angelina Jolie, Dustin Hoffman

Milk (2008)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 128 Minutes

Directed by | Gus Van Sant | Cinematography by | Harris Savides | Editing by | Elliot Graham

Starring | Sean Penn, Josh Brolin, Emile Hirsch, Diego Luna

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses | Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

The Visitor (2007)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle

Starring | Richard Jenkins, Haaz Sleiman, Danai Gurira, Hiam Abbass

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss DigiPrime Lenses

It’s a Mad, Mad, Mad, Mad World (1963)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 205 Minutes

Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson

Starring | Spencer Tracy, Milton Berle, Ethel Merman, Mickey Rooney

Cameras | Ultra Panavision 70 Camera

Oliver! (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 153 Minutes

Directed by | Carol Reed | Cinematography by | Oswald Morris | Editing by | Ralph Kemplen

Starring | Mark Lester, Ron Moody, Shani Wallis, Oliver Reed

Cameras | Panasonic Cameras

The Greatest Show on Earth (1952)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 152 Minutes

Directed by | Cecil B. DeMille | Cinematography by | George Barnes | Editing by | Anne Bauchens

Starring | James Stewart, Charlton Heston, Betty Hutton, Cornel Wilde

Steve Jobs (2015)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham

Starring | Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels

Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Trumbo (2015)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 124 Minutes

Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten

Starring | Bryan Cranston, Diane Lane, Helen Mirren, Louis C.K.

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Bridge of Spies (2015)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Destino (2003)

Short Film | 2D | Color | 1.85:1 | 7 Minutes

Directed by | Dominique Monfery | Editing by | Jessica Ambinder-Rojas

Starring | Jennifer Esposito, Dora Luz

The Man from U.N.C.L.E. (2015)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert

Starring | Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki

Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses | Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

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