Technicolor | 826 Titles
Anything for Alice (2014)
Directed by | Nicolas Cuche | Cinematography by | Guillaume Deffontaines | Editing by | Thierry Rouden
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Maintenant ou jamais (2014)
Directed by | Serge Frydman | Cinematography by | Pierre-Hugues Galien | Editing by | Céline Kélépikis
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Mandela: Long Walk to Freedom (2013)
Directed by | Justin Chadwick | Cinematography by | Lol Crawley | Editing by | Andrew Cassells, Rick Russell
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Invisible Woman (2013)
August: Osage County (2013)
L’homme qu’on aimait trop (2014)
Directed by | André Téchiné | Cinematography by | Julien Hirsch | Editing by | Hervé de Luze
Cameras | ARRI ALEXA Camera
A Walk Among the Tombstones (2014)
Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt
Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
Predestination (2014)
Directed by | Michael Spierig, Peter Spierig | Cinematography by | Ben Nott | Editing by | Matt Villa
Cameras | ARRI ALEXA Camera
Warrior (2011)
Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Chocolat (2000)
Puss in Boots (2011)
Get on Up (2014)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses
Big Eyes (2014)
American Sniper (2014)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Singin’ in the Rain (1952)
Directed by | Stanley Donen, Gene Kelly | Cinematography by | Harold Rosson | Editing by | Adrienne Fazan
Cameras | Technicolor 3-Strip Camera
Breakfast at Tiffany’s (1961)
Directed by | Blake Edwards | Cinematography by | Franz Planer, Philip H. Lathrop | Editing by | Howard A. Smith
Coogan’s Bluff (1968)
Directed by | Don Siegel | Cinematography by | Bud Thackery, Robert Surtees | Editing by | Sam E. Waxman
Irma la Douce (1963)
Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
West Side Story (1961) 
Directed by | Jerome Robbins, Robert Wise | Cinematography by | Daniel L. Fapp | Editing by | Thomas Stanford
The Bridge on the River Kwai (1957)
Directed by | David Lean | Cinematography by | Jack Hildyard | Editing by | Peter Taylor
Lenses | Bausch & Lomb Lenses
