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Deluxe, Culver City : 3Deluxe, Hollywood : 466Deluxe, Italia : 2Deluxe, London : 43Deluxe, Los Angeles : 4Deluxe, New York : 21Deluxe, Sydney : 3Deluxe, Toronto : 39Deluxe, UK : 10Deluxe, Vancouver : 4

Deluxe | 792 Titles

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The BFG (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Mark Rylance, Ruby Barnhill, Penelope Wilton

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Star Wars: Episode I – The Phantom Menace (1999)

Motion Picture | 2D, 3D | Color | 1.90:1, 2.39:1 | 136 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith

Starring | Ewan McGregor, Liam Neeson, Natalie Portman, Jake Lloyd

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses | Hawk C-Series Lenses

Star Wars: Episode II – Attack of the Clones (2002)

Motion Picture | 2D, 3D | HD Project | Color | 1.78:1 (16x9), 2.39:1 | 142 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Christopher Lee

Cameras | Sony HDW-F900 Camera

Lenses | Panavision Primo Anamorphic Lenses

Star Wars: Episode III – Revenge of the Sith (2005)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Samuel L. Jackson

Cameras | Sony HDC-F950 Camera

Lenses | Fujinon C Series Lenses, Fujinon E Series Lenses

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Star Wars: Episode V – The Empire Strikes Back (1980)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 124 Minutes

Directed by | Irvin Kershner | Cinematography by | Peter Suschitzky | Editing by | T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Bound for Glory (1976)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 147 Minutes

Directed by | Hal Ashby | Cinematography by | Haskell Wexler | Editing by | Pembroke J. Herring, Robert C. Jones

Starring | David Carradine, Ronny Cox, Melinda Dillon, Gail Strickland

Cameras | ARRIFLEX 35 BL Camera, Éclair Caméflex Camera, Panavision Panaflex Camera

Lenses | Panavision Lenses

Mississippi Burning (1988)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 128 Minutes

Directed by | Alan Parker | Cinematography by | Peter Biziou | Editing by | Gerry Hambling

Starring | Gene Hackman, Willem Dafoe, Frances McDormand, Brad Dourif

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Varotal Lenses, Panavision Ultra Speed MKII Lenses

Cleopatra (1963)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 192 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams

Starring | Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

The Towering Inferno (1974)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 165 Minutes

Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress

Starring | Paul Newman, Steve McQueen, William Holden, Faye Dunaway

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Spartacus (1960)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 197 Minutes

Directed by | Stanley Kubrick | Cinematography by | Russell Metty | Editing by | Robert Lawrence, Irving Lerner

Starring | Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton

Cameras | Technirama Camera

WALL·E (2008)

Motion Picture | 2D, 3D | Color | 2.39:1 | 98 Minutes

Directed by | Andrew Stanton | Cinematography by | Martin Rosenberg | Editing by | Stephen Schaffer

Starring | Ben Burtt, Elissa Knight, Jeff Garlin, Fred Willard

The Lord of the Rings: The Fellowship of the Ring (2001)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 178 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert

Starring | Elijah Wood, Ian McKellen, Orlando Bloom

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Ultra Prime Lenses

Flatliners (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Niels Arden Oplev | Cinematography by | Eric Kress | Editing by | Tom Elkins

Starring | Elliot Page, Diego Luna, Nina Dobrev

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lenses

The Shape of Water (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 123 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Sidney Wolinsky

Starring | Sally Hawkins, Octavia Spencer, Michael Shannon

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Austin Powers: The Spy Who Shagged Me (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 95 Minutes

Directed by | Jay Roach | Cinematography by | Ueli Steiger | Editing by | Debra Neil-Fisher, Jon Poll

Starring | Mike Myers, Heather Graham, Michael York, Robert Wagner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Day After Tomorrow (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner

Starring | Dennis Quaid, Jake Gyllenhaal, Emmy Rossum

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Home Alone 2: Lost in New York (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell

Starring | Macaulay Culkin, Joe Pesci, Daniel Stern, Catherine O'Hara

Cameras | Panavision Panaflex Platinum Camera

Home Alone 3 (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Raja Gosnell | Cinematography by | Julio Macat | Editing by | Malcolm Campbell, Bruce Green, David Rennie

Starring | Alex D. Linz, Olek Krupa, Rya Kihlstedt, Lenny von Dohlen

Cameras | Panavision Panaflex Gold Camera

Pulp Fiction (1994)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 154 Minutes

Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke

Starring | John Travolta, Uma Thurman, Samuel L. Jackson, Bruce Willis

Cameras | Panavision Cameras, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses

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