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Deluxe, Toronto | 39 Titles

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The BFG (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Mark Rylance, Ruby Barnhill, Penelope Wilton

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

The Shape of Water (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 123 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Sidney Wolinsky

Starring | Sally Hawkins, Octavia Spencer, Michael Shannon

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Requiem for a Dream (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz

Starring | Ellen Burstyn, Jared Leto, Jennifer Connelly

Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Hangnail (2011)

Short Film | 2D | Film Project | Color | 2.39:1 | 12 Minutes

Directed by | Cavan Campbell | Cinematography by | Daniel Grant | Editing by | Baun Mah

Starring | Tasha Lawrence, Dylan Smith

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Lenses

Vikings (2013)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | P.J. Dillon, Peter Robertson, Owen McPolin, John S. Bartley, Suzie Lavelle | Editing by | Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson

Starring | Katheryn Winnick, Gustaf Skarsgård, Alexander Ludwig, Georgia Hirst

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision Lenses

Afterglow (1997)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Alan Rudolph | Cinematography by | Toyomichi Kurita | Editing by | Suzy Elmiger

Starring | Nick Nolte, Julie Christie, Lara Flynn Boyle, Jonny Lee Miller

Cameras | ARRIFLEX Camera

Marvin’s Room (1996)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Jerry Zaks | Cinematography by | Piotr Sobocinski | Editing by | Jim Clark

Starring | Meryl Streep, Leonardo DiCaprio, Diane Keaton, Robert De Niro

Spotlight (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | Tom McCarthy | Cinematography by | Masanobu Takayanagi | Editing by | Tom McArdle

Starring | Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Crimson Peak (2015)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Bernat Vilaplana

Starring | Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam

Cameras | ARRI ALEXA XT Camera

Chocolat (2000)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Lasse Hallström | Cinematography by | Roger Pratt | Editing by | Andrew Mondshein

Starring | Juliette Binoche, Judi Dench, Alfred Molina, Carrie-Anne Moss

The Corruptor (1999)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith

Starring | Yun-Fat Chow, Mark Wahlberg, Ric Young, Paul Ben-Victor

Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

The English Patient (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 162 Minutes

Directed by | Anthony Minghella | Cinematography by | John Seale | Editing by | Walter Murch

Starring | Ralph Fiennes, Juliette Binoche, Willem Dafoe, Kristin Scott Thomas

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Where the Truth Lies (2005)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Kevin Bacon, Colin Firth, Alison Lohman, David Hayman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

American Splendor (2003)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Shari Springer Berman, Robert Pulcini | Cinematography by | Terry Stacey | Editing by | Robert Pulcini

Starring | Paul Giamatti, Shari Springer Berman, Harvey Pekar, Chris Ambrose

Cameras | Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Classic Spherical Lenses

Narc (2002)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy

Starring | Ray Liotta, Jason Patric, Chi McBride, Dan Leis

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

Being Julia (2004)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton

Starring | Annette Bening, Michael Gambon, Maury Chaykin, Jeremy Irons

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Varotal Lenses

The Big Slice (1991)

Motion Picture | 2D | Other Project Resolution | Color | 86 Minutes

Directed by | John Bradshaw | Cinematography by | Ludek Bogner | Editing by | Nick Rotundo

Starring | Casey Siemaszko, Leslie Hope, Louis Ferreira, Kenneth Welsh

Cameras | ARRI ARRIFLEX Series Cameras

Loverboy (2005)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Directed by | Kevin Bacon | Cinematography by | Nancy Schreiber | Editing by | David Ray

Starring | Kyra Sedgwick, Dominic Scott Kay, Campbell Scott, Kevin Bacon

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hairspray (2007)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Hairspray | ShotOnWhat?

Directed by | Adam Shankman | Cinematography by | Bojan Bazelli | Editing by | Michael Tronick

Starring | John Travolta, Queen Latifah, Nikki Blonsky, Michelle Pfeiffer

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

The Sweet Hereafter (1997)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Ian Holm, Sarah Polley, Caerthan Banks, Tom McCamus

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

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