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Hilary and Jackie (1998)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Anand Tucker | Cinematography by | David Johnson | Editing by | Martin Walsh

Starring | Emily Watson, Rachel Griffiths, James Frain, David Morrissey

Oranges and Sunshine (2010)

Motion Picture | 2D | 2K Project | Color | 2.40:1 | 105 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Emily Watson, Aisling Loftus, Stuart Wolfenden, Lorraine Ashbourne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Far North (2007)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Far North | ShotOnWhat?

Directed by | Asif Kapadia | Cinematography by | Roman Osin | Editing by | Ewa J. Lind

Starring | Michelle Yeoh, Michelle Krusiec, Sean Bean, Gary Pillai

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Sexy Beast (2000)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Jonathan Glazer | Cinematography by | Ivan Bird | Editing by | John Scott, Sam Sneade

Starring | Ray Winstone, Ben Kingsley, Ian McShane, Amanda Redman

Cameras | ARRI ARRIFLEX Series Cameras

Lenses | ARRI Lenses

Shakespeare in Love (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble

Starring | Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom Wilkinson

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Variable Prime Lenses

Atonement (2007)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 123 Minutes

Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill

Starring | Keira Knightley, James McAvoy, Brenda Blethyn, Saoirse Ronan

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Harry Brown (2009)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker

Starring | Michael Caine, Emily Mortimer, David Bradley, Charlie Creed-Miles

Cameras | Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Run, Fatboy, Run (2007)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Run, Fatboy, Run | ShotOnWhat?

Directed by | David Schwimmer | Cinematography by | Richard Greatrex | Editing by | Michael Parker

Starring | Simon Pegg, Thandiwe Newton, Hank Azaria, Dylan Moran

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

Killing Bono (2011)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Nick Hamm | Cinematography by | Kieran McGuigan | Editing by | Billy Sneddon

Starring | Ben Barnes, Robert Sheehan, Krysten Ritter, Ralph Brown

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

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