Deluxe | 792 Titles
Moulin Rouge! (2001)
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium Camera
The Core (2003)
Directed by | Jon Amiel | Cinematography by | John Lindley | Editing by | Terry Rawlings
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Die You Zombie Bastards! (2005)
The Maiden Heist (2009)
Directed by | Peter Hewitt | Cinematography by | Ueli Steiger | Editing by | Carole Kravetz Aykanian
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Boyz n the Hood (1991)
Directed by | John Singleton | Cinematography by | Charles Mills | Editing by | Bruce Cannon
Cameras | ARRI Cameras
Lenses | ARRI / Zeiss Lenses
Against the Ropes (2004)
Directed by | Charles S. Dutton | Cinematography by | Jack N. Green | Editing by | Eric L. Beason
Cameras | Panavision Cameras
Lenses | Panavision Lenses
This Means War (2012)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Nicolas De Toth
Cameras | Panavision Panaflex Millennium XL Camera
I Love You, Man (2009)
Directed by | John Hamburg | Cinematography by | Lawrence Sher | Editing by | William Kerr
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera
The Avengers (2012)
Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek
Lenses | Panavision Frazier Lenses, Panavision Lenses
Sky Captain and the World of Tomorrow (2004)
Directed by | Kerry Conran | Cinematography by | Eric Adkins | Editing by | Sabrina Plisco
Cameras | Sony HDW-F900 Camera
Donnie Darko (2001)
Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer, Eric Strand
Cameras | Panavision Panaflex Millennium Camera