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The World Is Not Enough (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 128 Minutes

Directed by | Michael Apted | Cinematography by | Adrian Biddle | Editing by | Jim Clark

Starring | Pierce Brosnan, Sophie Marceau, Robert Carlyle, Denise Richards

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses

Die Another Day (2002)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 133 Minutes

Directed by | Lee Tamahori | Cinematography by | David Tattersall | Editing by | Andrew MacRitchie, Christian Wagner

Starring | Pierce Brosnan, Halle Berry, Rosamund Pike, Toby Stephens

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Quantum of Solace (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Topsy-Turvy (1999)

Motion Picture | 2D | Color | 1.66:1 | 154 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Robin Sales

Starring | Jim Broadbent, Allan Corduner, Dexter Fletcher, Sukie Smith

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

Eyes Wide Shut (1999)

Motion Picture | 2D | Color | 159 Minutes

Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt

Starring | Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Little Voice (1998)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Mark Herman | Cinematography by | Andy Collins | Editing by | Michael Ellis

Starring | Brenda Blethyn, Jane Horrocks, Michael Caine, Ewan McGregor

Venus (2006)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Roger Michell | Cinematography by | Haris Zambarloukos | Editing by | Nicolas Gaster

Starring | Peter O'Toole, Jodie Whittaker, Leslie Phillips, Beatrice Savoretti

Cameras | ARRIFLEX 16SR3 Camera

Julie & Julia (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Nora Ephron | Cinematography by | Stephen Goldblatt | Editing by | Richard Marks

Starring | Amy Adams, Meryl Streep, Chris Messina, Stanley Tucci

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Defiance (2008)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 137 Minutes

Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum

Starring | Daniel Craig, Liev Schreiber, Jamie Bell, Alexa Davalos

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Pride & Prejudice (2005)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Joe Wright | Cinematography by | Roman Osin | Editing by | Paul Tothill

Starring | Keira Knightley, Matthew Macfadyen, Brenda Blethyn, Donald Sutherland

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Cooke S4 Lenses

The Duchess (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Saul Dibb | Cinematography by | Gyula Pados | Editing by | Masahiro Hirakubo

Starring | Keira Knightley, Ralph Fiennes, Dominic Cooper, Charlotte Rampling

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Captain America: The First Avenger (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford

Starring | Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Centurion (2010)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Centurion | ShotOnWhat?

Directed by | Neil Marshall | Cinematography by | Sam McCurdy | Editing by | Chris Gill

Starring | Michael Fassbender, Dominic West, Olga Kurylenko, Andreas Wisniewski

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Cemetery Junction (2010)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Ricky Gervais, Stephen Merchant | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli

Starring | Christian Cooke, Felicity Jones, Tom Hughes, Jack Doolan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Shadow of the Vampire (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 92 Minutes

Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt

Starring | John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

Elizabeth: The Golden Age (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Clive Owen, Geoffrey Rush, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Proof (2005)

Motion Picture | 2D | Color | 2.35:1 | 100 Minutes

Proof | ShotOnWhat?

Directed by | John Madden | Cinematography by | Alwin H. Küchler | Editing by | Mick Audsley

Starring | Gwyneth Paltrow, Anthony Hopkins, Hope Davis, Jake Gyllenhaal

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Tamara Drewe (2010)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Stephen Frears | Cinematography by | Ben Davis | Editing by | Mick Audsley

Starring | Gemma Arterton, Luke Evans, Dominic Cooper, Roger Allam

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

28 Weeks Later (2007)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill

Starring | Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Arn: Tempelriddaren (2007)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen

Starring | Joakim Nätterqvist, Sofia Helin, Stellan Skarsgård, Michael Nyqvist

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

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