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The Saint (1997)

Motion Picture | 2D | Color | 116 Minutes

Directed by | Phillip Noyce | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Val Kilmer, Elisabeth Shue, Rade Serbedzija, Valeriy Nikolaev

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Shakespeare in Love (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble

Starring | Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom Wilkinson

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Variable Prime Lenses

W.E. (2011)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 119 Minutes

Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull

Starring | Abbie Cornish, James D'Arcy, Andrea Riseborough, Oscar Isaac

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses | Zeiss Ultra Prime Lenses

Happy-Go-Lucky (2008)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark

Starring | Sally Hawkins, Alexis Zegerman, Samuel Roukin, Elliot Cowan

Cameras | ARRI ARRIFLEX Series Cameras

44 Inch Chest (2009)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell

Starring | Ray Winstone, Ian McShane, John Hurt, Tom Wilkinson

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

No Escape (1994)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Ray Liotta, Lance Henriksen, Stuart Wilson, Kevin Dillon

Cameras | ARRIFLEX 35 BL4 Camera

The Eagle (2011)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright

Starring | Channing Tatum, Jamie Bell, Donald Sutherland, István Göz

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-1D Mark IV Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

In Bruges (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Martin McDonagh | Cinematography by | Eigil Bryld | Editing by | Jon Gregory

Starring | Colin Farrell, Brendan Gleeson, Ciarán Hinds, Elizabeth Berrington

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Finding Neverland (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Johnny Depp, Kate Winslet, Julie Christie, Radha Mitchell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Vera Drake (2004)

Motion Picture | 2D | Color | 1.85:1 | 125 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark

Starring | Imelda Staunton, Jim Broadbent, Heather Craney, Richard Graham

Cameras | Aaton XTR Prod Camera

Lenses | Cooke S4 Lenses

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 116 Minutes

Directed by | Tim Burton | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Johnny Depp, Helena Bonham Carter, Alan Rickman, Timothy Spall

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

We Need to Talk About Kevin (2011)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

We Need to Talk About Kevin | ShotOnWhat?

Directed by | Lynne Ramsay | Cinematography by | Seamus McGarvey | Editing by | Joe Bini

Starring | Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell

Cameras | Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Never Let Me Go (2010)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Mark Romanek | Cinematography by | Adam Kimmel | Editing by | Barney Pilling

Starring | Keira Knightley, Carey Mulligan, Andrew Garfield, Izzy Meikle-Small

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Felicia’s Journey (1999)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Bob Hoskins, Arsinée Khanjian, Elaine Cassidy, Sheila Reid

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Killing Bono (2011)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Nick Hamm | Cinematography by | Kieran McGuigan | Editing by | Billy Sneddon

Starring | Ben Barnes, Robert Sheehan, Krysten Ritter, Ralph Brown

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Sleepy Hollow (1999)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Tim Burton | Cinematography by | Emmanuel Lubezki | Editing by | Chris Lebenzon, Joel Negron

Starring | Johnny Depp, Christina Ricci, Miranda Richardson, Michael Gambon

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Nowhere Boy (2009)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Nowhere Boy | ShotOnWhat?

Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Lisa Gunning

Starring | Aaron Taylor-Johnson, Kristin Scott Thomas, Anne-Marie Duff, David Threlfall

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Anna Karenina (2012)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Melanie Oliver

Starring | Keira Knightley, Jude Law, Aaron Taylor-Johnson, Matthew Macfadyen

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pirate Radio (2009)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Richard Curtis | Cinematography by | Danny Cohen | Editing by | Emma E. Hickox

Starring | Philip Seymour Hoffman, Bill Nighy, Nick Frost, Michael Hadley

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

360 (2011)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende

Starring | Rachel Weisz, Jude Law, Anthony Hopkins, Ben Foster

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

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