Cameras » ARRI Cameras

ARRI ALEXA Series Cameras : 910ARRI AMIRA Series Cameras : 14ARRI ARRIFLEX Series Cameras : 756ARRICAM Lite (LT) Camera : 411ARRICAM Studio (ST) Camera : 271ARRIFLEX 765 Camera : 8ARRIFLEX Camera : 66ARRIFLEX D-20 Camera : 6ARRIFLEX D-21 Camera : 22Arritechno 35 Camera : 1

ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

« Previous 1 … 33 34 35 36 37 … 106 Next »

LessUpdatedTitleYear

Tartarughe sul dorso (2004)

Motion Picture | 2D | Color |

Directed by | Stefano Pasetto | Cinematography by | Paolo Bravi | Editing by | Alessio Doglione

Starring | Lorenzo Acquaviva, Vittorio Amandola, Gabriella Barbuti, Barbora Bobulova

Cameras | ARRIFLEX 535 Camera

Lenses | Cooke Speed Panchro Lenses

Son of a Gun (2014)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Julius Avery | Cinematography by | Nigel Bluck | Editing by | Jack Hutchings

Starring | Ewan McGregor, Brenton Thwaites, Alicia Vikander, Brendan Kerkvliet

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision Lenses

Hard Core Logo (1996)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Bruce McDonald | Cinematography by | Danny Nowak | Editing by | Reginald Harkema

Starring | Hugh Dillon, Callum Keith Rennie, John Pyper-Ferguson, Bernie Coulson

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses, Zeiss Zoom Lenses

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Pan (2015)

Motion Picture | 3D | Color | 2.39:1 | 111 Minutes

Directed by | Joe Wright | Cinematography by | John Mathieson, Seamus McGarvey | Editing by | William Hoy, Paul Tothill

Starring | Levi Miller, Hugh Jackman, Garrett Hedlund, Rooney Mara

Cameras | ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Crimson Peak (2015)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Bernat Vilaplana

Starring | Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam

Cameras | ARRI ALEXA XT Camera

Warsaw ’44 (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 130 Minutes

Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki

Starring | Józef Pawlowski, Zofia Wichlacz, Anna Próchniak, Antoni Królikowski

Cameras | ARRICAM Lite (LT) Camera

Meadowland (2015)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Olivia Wilde, Luke Wilson, Giovanni Ribisi, Elisabeth Moss

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses

The Intern (2015)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Nancy Meyers | Cinematography by | Stephen Goldblatt | Editing by | Robert Leighton

Starring | Robert De Niro, Anne Hathaway, Rene Russo, Anders Holm

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Sicario (2015)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 121 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Emily Blunt, Josh Brolin, Benicio Del Toro, Jon Bernthal

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

Call Me King (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | R.L. Scott | Cinematography by | R.L. Scott

Starring | Amin Joseph, Bai Ling, Chris Mulkey, Bill Cobbs

Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera

Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Road to Ferrari (2013)

Television Movie | 2D | Color |

Directed by | Matthew Bennett | Cinematography by | Daniel McKeown | Editing by | Janet Gaynor

Starring | Will Buxton, Jason Swales

Cameras | ARRI ALEXA Series Cameras, Canon Cameras

Southpaw (2015)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua

Starring | Jake Gyllenhaal, Rachel McAdams, Oona Laurence, Forest Whitaker

Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Dirty Pretty Things (2002)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Stephen Frears | Cinematography by | Chris Menges | Editing by | Mick Audsley

Starring | Chiwetel Ejiofor, Audrey Tautou, Sophie Okonedo, Sergi López

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Oranges and Sunshine (2010)

Motion Picture | 2D | 2K Project | Color | 2.40:1 | 105 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Emily Watson, Aisling Loftus, Stuart Wolfenden, Lorraine Ashbourne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Johnny Flynton (2002)

Short Film | 2D | Color | 2.39:1 | 37 Minutes

Directed by | Lexi Alexander | Cinematography by | Alexander Buono | Editing by | Christopher Klonecke

Starring | Dash Mihok, Michele Matheson, Robert W. Hill, Austin Crim

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses

Y Tu Mamá También (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez

Starring | Maribel Verdú, Gael García Bernal, Daniel Giménez Cacho, Ana López Mercado

Cameras | ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

Ventoux (2015)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Nicole van Kilsdonk | Cinematography by | Anton Mertens | Editing by | Moek de Groot

Starring | Kasper van Kooten, Wilfried de Jong, Leopold Witte, Wim Opbrouck

Cameras | ARRI ALEXA Camera

Lenses | Cooke Lenses, Cooke Speed Panchro Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Hateful Eight (2015)

Motion Picture | 2D | Color | 2.76:1 | 168 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins

Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

The Best of Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse

Starring | James Marsden, Michelle Monaghan, Luke Bracey, Liana Liberato

Cameras | ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses

« Previous 1 … 33 34 35 36 37 … 106 Next »

©2012 - 2025 ShotOnWhat?

20254.20