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ARRI ALEXA Series Cameras : 910ARRI AMIRA Series Cameras : 14ARRI ARRIFLEX Series Cameras : 756ARRICAM Lite (LT) Camera : 411ARRICAM Studio (ST) Camera : 271ARRIFLEX 765 Camera : 8ARRIFLEX Camera : 66ARRIFLEX D-20 Camera : 6ARRIFLEX D-21 Camera : 22Arritechno 35 Camera : 1

ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

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Theeb (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Naji Abu Nowar | Cinematography by | Wolfgang Thaler | Editing by | Rupert Lloyd

Starring | Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Saul fia (2015)

Motion Picture | 2D | Color | 1.37:1 | 107 Minutes

Directed by | László Nemes | Cinematography by | Mátyás Erdély | Editing by | Matthieu Taponier

Starring | Géza Röhrig, Levente Molnár, Urs Rechn, Todd Charmont

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Master Prime Lenses

Krigen (2015)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Tobias Lindholm | Cinematography by | Magnus Nordenhof Jønck | Editing by | Adam Nielsen

Starring | Pilou Asbæk, Tuva Novotny, Søren Malling, Charlotte Munck

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Creed (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver

Starring | Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Joy (2015)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Starring | Jennifer Lawrence, Robert De Niro, Bradley Cooper, Edgar Ramírez

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

Spotlight (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | Tom McCarthy | Cinematography by | Masanobu Takayanagi | Editing by | Tom McArdle

Starring | Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Brooklyn (2015)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | John Crowley | Cinematography by | Yves Bélanger | Editing by | Jake Roberts

Starring | Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Jim Broadbent

Cameras | ARRI ALEXA XT Camera

Lenses | Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

The Big Short (2015)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin

Starring | Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Steve Jobs (2015)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham

Starring | Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels

Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Trumbo (2015)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 124 Minutes

Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten

Starring | Bryan Cranston, Diane Lane, Helen Mirren, Louis C.K.

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Way Back (2010)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 133 Minutes

Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith

Starring | Jim Sturgess, Ed Harris, Colin Farrell, Dragos Bucur

Cameras | ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Bridge of Spies (2015)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Koyaanisqatsi (1982)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Directed by | Godfrey Reggio | Cinematography by | Ron Fricke | Editing by | Ron Fricke, Alton Walpole

Starring | Lou Dobbs, Ted Koppel

Cameras | ARRIFLEX 16S Camera, ARRIFLEX 35 IIC Camera

Lenses | Canon Lenses

Anonymous (2011)

Motion Picture | 2D | Color | 130 Minutes

Directed by | Roland Emmerich | Cinematography by | Anna Foerster | Editing by | Peter R. Adam

Starring | Rhys Ifans, Vanessa Redgrave, David Thewlis, Sebastian Armesto

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Forest (2016)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Jason Zada | Cinematography by | Mattias Troelstrup | Editing by | Jim Flynn

Starring | Natalie Dormer, Eoin Macken, Stephanie Vogt, Osamu Tanpopo

Cameras | ARRI ALEXA XT Plus Camera

Carol (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves

Starring | Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Jamesy Boy (2014)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 109 Minutes

Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes

Starring | Spencer Rocco Lofranco, Mary-Louise Parker, Ving Rhames, James Woods

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Man from U.N.C.L.E. (2015)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert

Starring | Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki

Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses | Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

The 33 (2015)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick

Starring | Antonio Banderas, Rodrigo Santoro, Juliette Binoche, James Brolin

Cameras | ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

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