Cameras » ARRI Cameras

ARRI ALEXA Series Cameras : 910ARRI AMIRA Series Cameras : 14ARRI ARRIFLEX Series Cameras : 756ARRICAM Lite (LT) Camera : 411ARRICAM Studio (ST) Camera : 271ARRIFLEX 765 Camera : 8ARRIFLEX Camera : 66ARRIFLEX D-20 Camera : 6ARRIFLEX D-21 Camera : 22Arritechno 35 Camera : 1

ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

« Previous 1 … 30 31 32 33 34 … 106 Next »

LessUpdatedTitleYear

Dope (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Rick Famuyiwa | Cinematography by | Rachel Morrison | Editing by | Lee Haugen

Starring | Shameik Moore, Tony Revolori, Kiersey Clemons, Kimberly Elise

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses | Panavision G Series Anamorphic Lenses

The 5th Wave (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell

Starring | Chloë Grace Moretz, Matthew Zuk, Gabriela Lopez, Bailey Anne Borders

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Rogue One: A Star Wars Story (2016)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 133 Minutes

Directed by | Gareth Edwards | Cinematography by | Greig Fraser | Editing by | John Gilroy, Colin Goudie, Jabez Olssen

Starring | Felicity Jones, Diego Luna, Alan Tudyk, Donnie Yen

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision APO Panatar Lenses

Midnight Special (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroe

Starring | Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Kilo Two Bravo (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 108 Minutes

Directed by | Paul Katis | Cinematography by | Chris Goodger | Editing by | Brin

Starring | David Elliot, Mark Stanley, Scott Kyle, Benjamin O'Mahony

Cameras | ARRI ALEXA XT Camera, Blackmagic Cinema Camera

Lenses | Angenieux Lenses, Red Pro Prime Lenses

Two Cars, One Night (2004)

Short Film | 2D | Black & White | 1.85:1 | 12 Minutes

Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Owen Ferrier-Kerr

Starring | Rangi Ngamoki, Hutini Waikato, Te Ahiwaru Ngamoki-Richards, Riwai Waka

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Zeiss Ultra Prime Lenses

Allegiant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy

Starring | Shailene Woodley, Theo James, Jeff Daniels, Naomi Watts

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Captain America: Civil War (2016)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 147 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan

Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Everything in This Country Must (2004)

Short Film | 2D | Color | 1.85:1 | 20 Minutes

Directed by | Gary McKendry | Cinematography by | Jim Whitaker | Editing by | Paul Martinez

Starring | Sam Spruell, Gerry Doherty, Karly Greene, James Doran

Cameras | Aaton Cameras, ARRIFLEX Camera

La isla mínima (2014)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano

Starring | Javier Gutiérrez, Raúl Arévalo, María Varod, Perico Cervantes

Cameras | ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens

El hombre de las mil caras (2016)

Motion Picture | 2D | Color | 123 Minutes

Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano

Starring | Jose Coronado, Eduard Fernández, Miquel García Borda, Santiago Molero

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Canon CN-E 30-300 mm T2.95 Lens, Zeiss Master Prime Lenses

Tenemos que hablar (2016)

Motion Picture | 2D | Color | 91 Minutes

Directed by | David Serrano | Cinematography by | Juan Carlos Gómez | Editing by | Alberto de Toro

Starring | Belén Cuesta, Carla Diego, Verónica Forqué, Luis Jaspe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses

The Evil That Men Do (2015)

Motion Picture | 2D | Color | 94 Minutes

Directed by | Ramon Térmens | Cinematography by | Sergi Bartrolí | Editing by | Anna Térmens

Starring | Daniel Faraldo, Andrew Tarbet, Sergio Peris-Mencheta, Priscilla Delgado

Cameras | ARRI ALEXA Plus Camera

Lenses | Zeiss Ultra Prime Lenses

The Mutineer (2017)

Motion Picture | 2D | Black & White | 1.66:1 | 92 Minutes

Directed by | John Jaquish | Cinematography by | John Jaquish | Editing by | John Jaquish

Starring | Rachel McKeon, Rick Montgomery Jr., Michael Barra, Harris Doran

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

Lenses | Angenieux Retrofocus 14.5 mm f3.5 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Kinoptik Tégéa 9.8mm f1.8 Lens, Schneider Lenses, Zeiss Jena Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens

Venus (2006)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Roger Michell | Cinematography by | Haris Zambarloukos | Editing by | Nicolas Gaster

Starring | Peter O'Toole, Jodie Whittaker, Leslie Phillips, Beatrice Savoretti

Cameras | ARRIFLEX 16SR3 Camera

Deadpool (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 108 Minutes

Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke

Starring | Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision Primo Primes Spherical Lenses

How to Be Single (2016)

Motion Picture | 2D | Color | 110 Minutes

Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Tia Nolan

Starring | Dakota Johnson, Rebel Wilson, Leslie Mann, Alison Brie

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Istället för abrakadabra (2008)

Short Film | 2D | Color | 2.39:1 | 22 Minutes

Directed by | Patrik Eklund | Cinematography by | David Grehn | Editing by | Patrik Eklund

Starring | Simon J. Berger, Jacob Nordenson, Anki Larsson, Saga Gärde

Cameras | ARRIFLEX Camera

Snowden (2016)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Oliver Stone | Cinematography by | Anthony Dod Mantle | Editing by | Alex Marquez, Lee Percy

Starring | Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Codex Action Cam

Lenses | Leitz Summicron-C Series Lenses

La Vie en Rose (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Olivier Dahan | Cinematography by | Tetsuo Nagata | Editing by | Richard Marizy

Starring | Marion Cotillard, Sylvie Testud, Pascal Greggory, Emmanuelle Seigner

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

« Previous 1 … 30 31 32 33 34 … 106 Next »

©2012 - 2025 ShotOnWhat?

20254.20