ARRI Cameras | 2118 Titles
Dope (2015)
Directed by | Rick Famuyiwa | Cinematography by | Rachel Morrison | Editing by | Lee Haugen
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera
The 5th Wave (2016)
Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell
Cameras | ARRI ALEXA XT Plus Camera
Rogue One: A Star Wars Story (2016)
Directed by | Gareth Edwards | Cinematography by | Greig Fraser | Editing by | John Gilroy, Colin Goudie, Jabez Olssen
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision APO Panatar Lenses
Midnight Special (2016)
Kilo Two Bravo (2014)
Directed by | Paul Katis | Cinematography by | Chris Goodger | Editing by | Brin
Cameras | ARRI ALEXA XT Camera, Blackmagic Cinema Camera
Lenses | Angenieux Lenses, Red Pro Prime Lenses
Two Cars, One Night (2004)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Owen Ferrier-Kerr
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | Zeiss Ultra Prime Lenses
Allegiant (2016)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses
Captain America: Civil War (2016)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
Everything in This Country Must (2004)
Directed by | Gary McKendry | Cinematography by | Jim Whitaker | Editing by | Paul Martinez
Cameras | Aaton Cameras, ARRIFLEX Camera
La isla mínima (2014)
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Camera
El hombre de las mil caras (2016)
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Plus Camera
Tenemos que hablar (2016)
Directed by | David Serrano | Cinematography by | Juan Carlos Gómez | Editing by | Alberto de Toro
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses
The Evil That Men Do (2015)
Directed by | Ramon Térmens | Cinematography by | Sergi Bartrolí | Editing by | Anna Térmens
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
The Mutineer (2017)
Directed by | John Jaquish | Cinematography by | John Jaquish | Editing by | John Jaquish
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Angenieux Retrofocus 14.5 mm f3.5 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Kinoptik Tégéa 9.8mm f1.8 Lens, Schneider Lenses, Zeiss Jena Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens
Venus (2006)
Directed by | Roger Michell | Cinematography by | Haris Zambarloukos | Editing by | Nicolas Gaster
Cameras | ARRIFLEX 16SR3 Camera
Deadpool (2016)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA XT Plus Camera
How to Be Single (2016)
Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Tia Nolan
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera
Istället för abrakadabra (2008)
Directed by | Patrik Eklund | Cinematography by | David Grehn | Editing by | Patrik Eklund
Cameras | ARRIFLEX Camera
Snowden (2016)
Directed by | Oliver Stone | Cinematography by | Anthony Dod Mantle | Editing by | Alex Marquez, Lee Percy
Lenses | Leitz Summicron-C Series Lenses
La Vie en Rose (2007)
Directed by | Olivier Dahan | Cinematography by | Tetsuo Nagata | Editing by | Richard Marizy
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera





























































