ARRI Cameras | 2118 Titles
Ray Donovan (2013)
| Cinematography by | Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff | Editing by | Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Fast 8 (2017)
Directed by | F. Gary Gray | Cinematography by | Stephen F. Windon | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRI ALEXA XT Camera, Red Epic Camera
Dough (2015)
Directed by | John Goldschmidt | Cinematography by | Peter Hannan | Editing by | Michael Ellis
Cameras | ARRI ALEXA Camera
Viy (2014)
Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenov
Deliverance Creek (2014)
Directed by | Jon Amiel | Cinematography by | Theo van de Sande | Editing by | Josh Beal
Cameras | ARRI ALEXA Camera
Yarden (2016)
Directed by | Måns Månsson | Cinematography by | Ita Zbroniec-Zajt | Editing by | George Cragg
Cameras | ARRI ALEXA Camera
Four Days in September (1997)
Directed by | Bruno Barreto | Cinematography by | Félix Monti | Editing by | Isabelle Rathery
Cameras | ARRIFLEX 535 B Camera
Green Room (2015)
Directed by | Jeremy Saulnier | Cinematography by | Sean Porter | Editing by | Julia Bloch
Cameras | ARRI ALEXA Camera
Lenses | Cooke Lenses, Cooke Speed Panchro Lenses
Knights of the Roundtable: King Arthur (2017)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Camera
Two Lovers and a Bear (2016)
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau
Cameras | ARRI ALEXA XT Camera
Câini (2016)
Directed by | Bogdan Mirica | Cinematography by | Andrei Butica | Editing by | Roxana Szel
Cameras | ARRI ALEXA XT Plus Camera
(M)uchenik (2016)
Directed by | Kirill Serebrennikov | Cinematography by | Vladislav Opelyants | Editing by | Yuriy Karikh
Cameras | ARRI ALEXA XT Camera
It’s Only the End of the World (2016)
Forushande (2016)
Directed by | Asghar Farhadi | Cinematography by | Hossein Jafarian | Editing by | Hayedeh Safiyari
Cameras | ARRI ALEXA XT Camera
Doctor Strange (2016)
Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
Assassin’s Creed (2016)
Directed by | Justin Kurzel | Cinematography by | Adam Arkapaw | Editing by | Christopher Tellefsen
Cameras | ARRI ALEXA 65 Camera
Hördur – Zwischen den Welten (2015)
Directed by | Ekrem Ergün | Cinematography by | Eric Ferranti | Editing by | Sabine Brose
Cameras | ARRI ALEXA M Camera
Lenses | Cooke S4 Lenses
American Honey (2016)
Directed by | Andrea Arnold | Cinematography by | Robbie Ryan | Editing by | Joe Bini
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Paterson (2016)
Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Affonso Gonçalves
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera
Mängelexemplar (2016)
Directed by | Laura Lackmann | Cinematography by | Sten Mende | Editing by | Gergana Voigt
Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera






























































