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ARRI ALEXA Series Cameras : 910ARRI AMIRA Series Cameras : 14ARRI ARRIFLEX Series Cameras : 756ARRICAM Lite (LT) Camera : 411ARRICAM Studio (ST) Camera : 271ARRIFLEX 765 Camera : 8ARRIFLEX Camera : 66ARRIFLEX D-20 Camera : 6ARRIFLEX D-21 Camera : 22Arritechno 35 Camera : 1

ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

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Goodbye to All That (2014)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Angus MacLachlan | Cinematography by | Corey Walter | Editing by | Jennifer Lilly

Starring | Paul Schneider, Melanie Lynskey, Anna Camp, Heather Graham

Cameras | ARRI ALEXA Series Cameras

Get Hard (2015)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Etan Cohen | Cinematography by | Tim Suhrstedt | Editing by | Michael L. Sale

Starring | Will Ferrell, Kevin Hart, Alison Brie, T.I.

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Fifty Shades of Grey (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 125 Minutes

Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Starring | Dakota Johnson, Jamie Dornan, Jennifer Ehle, Eloise Mumford

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Agneepath (2012)

Motion Picture | 2D | Color | 2.39:1 | 174 Minutes

Directed by | Karan Malhotra | Cinematography by | Ravi K. Chandran, Kiran Deohans | Editing by | Akiv Ali

Starring | Hrithik Roshan, Priyanka Chopra Jonas, Sanjay Dutt, Rishi Kapoor

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Goddess (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Mark Lamprell | Cinematography by | Damian Wyvill

Starring | Laura Michelle Kelly, Ronan Keating, Magda Szubanski, Levi Morrison

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Goliyon Ki Rasleela Ram-Leela (2013)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Sanjay Leela Bhansali | Cinematography by | Ravi Varman | Editing by | Sanjay Leela Bhansali, Rajesh Pandey

Starring | Ranveer Singh, Deepika Padukone, Supriya Pathak, Sharad Kelkar

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

How to Deal with an Axe Murderer (2014)

Motion Picture | 2D | Color | 2.39:1 | 13 Minutes

Directed by | Adam Estey | Cinematography by | Kevin Rigney | Editing by | Holly Pavlik

Starring | Paula Giroday, Paige McCulloch, Fanta Sesay, Fiona Vroom

Cameras | ARRI ALEXA Camera

The Remnant (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Rick Jordan | Cinematography by | John Lazear | Editing by | Erik Anderson

Starring | Rick Jordan, Jeff Marlow, Teresa Castracane, Roxzane T. Mims

Cameras | ARRIFLEX 16SR2 Camera, Cinema Products CP-16R Camera

A-List (2006)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin

Starring | Sally Kirkland, Damon Shalit, Daphne Zuniga, JoAnna Garcia Swisher

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras

Lenses | Cooke Lenses

Con Games (2001)

Direct to Video | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Jefferson Edward Donald | Cinematography by | John Lazear | Editing by | Chris Conlee

Starring | Eric Roberts, Tommy Lee Thomas, Martin Kove, Ross Nolan

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux Lenses

Yves Saint Laurent (2014)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Jalil Lespert | Cinematography by | Thomas Hardmeier | Editing by | François Gédigier

Starring | Pierre Niney, Guillaume Gallienne, Charlotte Le Bon, Laura Smet

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses | Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Nezha (2014)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Xiaofeng Li | Cinematography by | Joewi Verhoeven | Editing by | Yueyue Liu

Starring | Jiaqi Li, Haofei Li, Jin Chen, Peng Xin

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Entourage (2015)

Motion Picture | 2D | Color | 104 Minutes

Directed by | Doug Ellin | Cinematography by | Steven Fierberg | Editing by | Jeff Groth

Starring | Adrian Grenier, Kevin Connolly, Jerry Ferrara, Kevin Dillon

Cameras | ARRICAM Lite (LT) Camera

Ramaiya Vastavaiya (2013)

Motion Picture | 2D | Color | 148 Minutes

Directed by | Prabhu Deva | Cinematography by | Kiran Deohans | Editing by | Hemal Kothari

Starring | Shruti Haasan, Girish Taurani, Randhir Kapoor, Sonu Sood

Cameras | ARRIFLEX Camera

Lenses | Angenieux Optimo Zoom Lenses

Shônen H (2013)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Yasuo Furuhata

Starring | Yutaka Mizutani, Ran Itô, Tatsuki Yoshioka, Shun Oguri

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Wara no tate (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita

Starring | Takao Ohsawa, Nanako Matsushima, Gorô Kishitani, Masatô Ibu

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Pour une femme (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Diane Kurys | Cinematography by | Gilles Henry | Editing by | Sylvie Gadmer

Starring | Benoît Magimel, Mélanie Thierry, Nicolas Duvauchelle, Sylvie Testud

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact MK2 Camera

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

La fille du 14 juillet (2013)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Antonin Peretjatko | Cinematography by | Simon Roca | Editing by | Carole Le Page, Antonin Peretjatko

Starring | Vimala Pons, Grégoire Tachnakian, Vincent Macaigne, Marie-Lorna Vaconsin

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Angenieux HR Zoom Lenses, Panavision Primo Primes Spherical Lenses

Pop Redemption (2013)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Martin Le Gall | Cinematography by | Frédéric Nony | Editing by | Christophe Pinel

Starring | Julien Doré, Grégory Gadebois, Jonathan Cohen, Yacine Belhousse

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Né quelque part (2013)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Mohamed Hamidi | Cinematography by | Alex Lamarque | Editing by | Marion Monnier

Starring | Tewfik Jallab, Jamel Debbouze, Fatsah Bouyahmed, Abdelkader Secteur

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

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