ARRI Cameras | 2118 Titles
Grigris (2013)
Directed by | Mahamat-Saleh Haroun | Cinematography by | Antoine Héberlé | Editing by | Marie-Hélène Dozo
Cameras | ARRI ALEXA Camera
Shame (2011)
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
The French Minister (2013)
Directed by | Bertrand Tavernier | Cinematography by | Jérôme Alméras | Editing by | Guy Lecorne
Cameras | ARRI ALEXA Plus Camera
Un château en Italie (2013)
Directed by | Valeria Bruni Tedeschi | Cinematography by | Jeanne Lapoirie | Editing by | Anne Weil
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses
Jimmy P. (2013)
Directed by | Arnaud Desplechin | Cinematography by | Stéphane Fontaine | Editing by | Laurence Briaud
Avant l’hiver (2013)
Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker
Cameras | ARRI ALEXA Studio Camera
Healing (2014)
Directed by | Craig Monahan | Cinematography by | Andrew Lesnie | Editing by | Suresh Ayyar
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens
The Reckoning (2014)
Directed by | John V. Soto | Cinematography by | Jason Thomas | Editing by | Regg Skwarko
Cameras | ARRI ALEXA Camera, Red Epic Camera
Xenia (2014)
Directed by | Panos H. Koutras | Cinematography by | Hélène Louvart, Simos Sarketzis | Editing by | Yorgos Lamprinos
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens
Eden (2014)
Directed by | Mia Hansen-Løve | Cinematography by | Denis Lenoir | Editing by | Marion Monnier
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses
The Search (2014)
Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Nymphomaniac: Vol. II (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Saint Laurent (2014)
Directed by | Bertrand Bonello | Cinematography by | Josée Deshaies | Editing by | Stéphane Garnier, Fabrice Rouaud
Cameras | ARRICAM Lite (LT) Camera
Maestro (2014)
Directed by | Léa Fazer | Cinematography by | Lucas Leconte | Editing by | Jean-François Elie
Cameras | ARRI ALEXA Camera
24 Days (2014)
Directed by | Alexandre Arcady | Cinematography by | Gilles Henry | Editing by | Manuel De Sousa
Cameras | ARRI ALEXA Camera
The Chef’s Wife (2014)
Directed by | Anne Le Ny | Cinematography by | Jérôme Alméras | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses
The Salvation (2014)
Directed by | Kristian Levring | Cinematography by | Jens Schlosser | Editing by | Pernille Bech Christensen
Cameras | ARRI ALEXA Plus Camera
Les vacances du petit Nicolas (2014)
Directed by | Laurent Tirard | Cinematography by | Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
Lou! Journal infime (2014)
Directed by | Julien Neel | Cinematography by | Pierre Milon | Editing by | Yannick Kergoat
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses
On a marché sur Bangkok (2014)
Directed by | Olivier Baroux | Cinematography by | Régis Blondeau | Editing by | Christophe Pinel
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera






















































