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Steadicam Camera Systems | 96 Titles

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Hot Wings (2013)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Mitch Panayis | Cinematography by | Darragh Alder, Roter Su | Editing by | Darragh Alder

Starring | Kenan Kiani, Jeff Stewart, Adam Templar, Louise Tonie Sands

Cameras | Canon EOS-5D Mark II Camera, GoPro (Woodman Labs) Cameras, Red One Camera

Lenses | Red Pro Zoom 17-50 mm T2.9 Lens

Captain Phillips (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Tom Hanks, Barkhad Abdi, Barkhad Abdirahman, Catherine Keener

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

2012 (2009)

Motion Picture | 2D, 3D | Color | 2.39:1 | 158 Minutes

Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot

Starring | John Cusack, Thandiwe Newton, Chiwetel Ejiofor, Amanda Peet

Cameras | Panavision Cameras, Panavision Genesis Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Äkta människor (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

Äkta människor | ShotOnWhat?

| Cinematography by | Trolle Davidson, Linus Rosenqvist, Frida Wendel, Andres Rignell | Editing by | Björn Kessler, Rickard Krantz, Kicki Niemi, Gustav Wachtmeister, Sofia Lindgren, Max Arehn

Starring | Lisette Pagler, Pia Halvorsen, Johan Paulsen, Natalie Minnevik

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

Officer Down (2013)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 110 Minutes

Directed by | Richard Bakewell | Cinematography by | Chun Ming Huang

Starring | Rachel Alig, Laura Rauh, Frederick Lawrence, Stefan Prater

Cameras | Sony PMW-F3 Camera

Lenses | Cooke Speed Panchro Lenses

Stay (2005)

Motion Picture | 2D | Color | 2.35:1 | 15 Minutes

Stay | ShotOnWhat?

Directed by | David Brind | Cinematography by | Kenneth Wilson II

Starring | Tessa Auberjonois, Louis Cancelmi, John Boyd, Adriana DeMeo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Cockneys vs Zombies (2012)

Motion Picture | 2D | Color | 88 Minutes

Cockneys vs Zombies | ShotOnWhat?

Directed by | Matthias Hoene | Cinematography by | Daniel Bronks | Editing by | Neil Farrell, John Palmer

Starring | Rasmus Hardiker, Harry Treadaway, Michelle Ryan, Ashley Thomas

Cameras | ARRI Cameras

Lenses | Bausch & Lomb Lenses

Puberty Blues (2012)

Television Series | 2D | Color | 45 Minutes

Puberty Blues | ShotOnWhat?

| Cinematography by | John Brawley | Editing by | Deborah Peart, Dany Cooper, Geoff Hitchins, Nicole La Macchia, Bill Russo

Starring | Brenna Harding, Ashleigh Cummings, Sean Keenan, Charlotte Best

Cameras | ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Super Speed Lenses

And They’re Off (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

And They’re Off | ShotOnWhat?

Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers

Starring | Sean Astin, Bob Baffert, Camilla Ball, Michael Blaiklock

Cameras | Canon Cameras

Reach Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | John Herzfeld | Cinematography by | Vern Nobles | Editing by | Steven Cohen

Starring | Lauren Cohan, Kyra Sedgwick, Thomas Jane, Kevin Connolly

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses

1000 to 1: The Cory Weissman Story (2014)

Direct to Video | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Michael Levine | Cinematography by | James Mathers | Editing by | Colleen Halsey, Richard Halsey

Starring | David Henrie, Luke Kleintank, Beau Bridges, Jean Louisa Kelly

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Lenses

Cassadaga (2011)

Motion Picture | 2D | Color | 108 Minutes

Cassadaga | ShotOnWhat?

Directed by | Anthony DiBlasi | Cinematography by | Jose Zambrano Cassella | Editing by | Kristian Otero

Starring | Kelen Coleman, Avis-Marie Barnes, Kevin Alejandro, Louise Fletcher

Cameras | Red Digital Cinema Cameras, Red One Camera

Dean Slater: Resident Advisor (2013)

Motion Picture | 2D | Color | 2.35:1 | 83 Minutes

Dean Slater: Resident Advisor | ShotOnWhat?

Directed by | Colin Sander | Cinematography by | Boa Simon | Editing by | R.J. Daniel Hanna

Starring | Mitchell Jarvis, Nick Renaud, Glenn McCuen, Jimmy Wong

Cameras | Canon EOS-C300 Camera

Lenses | Canon Lenses, Zeiss Compact Prime Lenses

Desperate Housewives (2004)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

Desperate Housewives | ShotOnWhat?

Leaves of Grass (2009)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Leaves of Grass | ShotOnWhat?

Directed by | Tim Blake Nelson | Cinematography by | Roberto Schaefer | Editing by | Michelle Botticelli

Starring | Edward Norton, Keri Russell, Henry Max Nelson, Lucy DeVito

Cameras | Red One Camera

Lenses | Angenieux Lenses, Cooke Lenses, Zeiss Lenses

The Mothman Prophecies (2002)

Motion Picture | Color | 119 Minutes

Directed by | Mark Pellington | Cinematography by | Fred Murphy | Editing by | Brian Berdan

Starring | Richard Gere, Laura Linney, David Eigenberg, Bob Tracey

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses

Drowning Mona (2000)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Drowning Mona | ShotOnWhat?

Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson

Starring | Danny DeVito, Bette Midler, Neve Campbell, Jamie Lee Curtis

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses

The Naked Man (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 98 Minutes

Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher

Starring | Michael Rapaport, Michael Jeter, John Carroll Lynch, Arija Bareikis

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Monster’s Ball (2001)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Billy Bob Thornton, Halle Berry, Taylor Simpson, Gabrielle Witcher

Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

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