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Steadicam Camera Systems | 96 Titles

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Annabelle Hooper and the Ghosts of Nantucket (2016)

Motion Picture, Television Movie | 4K Project, UHD Project | Color | 92 Minutes

Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean

Starring | Bailee Madison, Robert Capron, Rachel Resheff, Mavrick Moreno

Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera

Lenses | Zeiss Compact Prime Lenses

Call Me King (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | R.L. Scott | Cinematography by | R.L. Scott

Starring | Amin Joseph, Bai Ling, Chris Mulkey, Bill Cobbs

Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera

Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Cineastes (2014)

Motion Picture | 2D | 4K Project | Black & White | 21 Minutes

Directed by | Alexander Vo | Cinematography by | John Lazear | Editing by | Alexander Vo

Starring | Yorgos Karamihos, Lydia Muijen, Scarlett Redmond, Masha Arielle

Cameras | ARRI ALEXA Series Cameras

Lenses | Zeiss Lenses

Sarah Landon and the Paranormal Hour (2007)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Lisa Comrie | Cinematography by | Andrew Kuepper | Editing by | Andrew Cohen

Starring | Rissa Walters, Brian Comrie, Dan Comrie, Kurt Braun

Cameras | Panasonic AG-HVX200 Camera

The Remnant (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Rick Jordan | Cinematography by | John Lazear | Editing by | Erik Anderson

Starring | Rick Jordan, Jeff Marlow, Teresa Castracane, Roxzane T. Mims

Cameras | ARRIFLEX 16SR2 Camera, Cinema Products CP-16R Camera

Kelly & Cal (2014)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper

Starring | Juliette Lewis, Jonny Weston, Josh Hopkins, Cybill Shepherd

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Hawk V-Series Lenses

Atlas Shrugged: Who Is John Galt? (2014)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9), 1.85:1 | 99 Minutes

Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo

Starring | Kristoffer Polaha, Laura Regan, Rob Morrow, Peter Mackenzie

Cameras | Canon EOS-C500 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses

Lost for Words (2013)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

Directed by | Stanley J. Orzel | Cinematography by | Jimmy Wong | Editing by | Darren Richter

Starring | Jennifer Birmingham Lee, Candy Cheung, Joman Chiang, Sean Faris

Cameras | Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

Awaiting (2015)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Mark Murphy | Cinematography by | Hong Manley | Editing by | Dragos Teglas

Starring | Tony Curran, Diana Vickers, Rupert Hill, Peter Woodward

Cameras | Red Epic Camera

Lenses | Cooke S4/i Lenses, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Red Pro Prime 300 mm T2.9 Lens

Leverage (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | David Connell, Neil Holcomb, Alan Caso | Editing by | Sonny Baskin, Brian Gonosey, David Siegel, Chris A. Peterson

Starring | Timothy Hutton, Gina Bellman, Christian Kane, Beth Riesgraf

Cameras | GoPro HD Hero2 Camera, Red One MX Camera, Sony PMW-EX1 Camera

Selfie (2014)

Motion Picture | 2D | Color | 123 Minutes

Directed by | Cristina Jacob | Cinematography by | Viorel Sergovici | Editing by | Ovidiu Vacaru

Starring | Velea Alex, Alex Calin, Florin Calinescu, Catalin Catoiu

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark III Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses | Canon EF Series Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

Frankie in Blunderland (2011)

Direct to Video | 2D | Color | 82 Minutes

Directed by | Caleb Emerson | Cinematography by | Caleb Emerson | Editing by | Caleb Emerson

Starring | Tommy Pistol, Thea Martin, Brett Hundley, David Reynolds

Cameras | Canon Cameras, Panasonic Cameras

Do You Remember? (2015)

Motion Picture | 2D | Color |

Directed by | Isaac Madge | Cinematography by | Isaac Madge | Editing by | Isaac Madge

Starring | Twyla Doone, Marcus Duffy, Jack Northeast, Daisy Mouatt

Cameras | Canon EOS 550D Camera

American Hustle (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 138 Minutes

Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Crispin Struthers

Starring | Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Hemlock Grove (2013)

Television Series, Web Series | 2D | Color | 1.78:1 (16x9) | 46 Minutes

| Cinematography by | Fernando Argüelles, John Grillo, Steven Poster | Editing by | Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson

Starring | Famke Janssen, Bill Skarsgård, Landon Liboiron, Joel de la Fuente

Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens

Misdirection (2011)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Al Stoffel | Cinematography by | Ronn Kilby | Editing by | Ronn Kilby

Starring | Karl Backus, Josee Brisebois, Aleksander D'Avignon, Tricia DeLaRosa

Cameras | Sony PMW-EX1R Camera

Last Shift (2014)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Anthony DiBlasi | Cinematography by | Austin F. Schmidt | Editing by | Anthony DiBlasi

Starring | Juliana Harkavy, Joshua Mikel, Hank Stone, J. LaRose

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Lenses

Always Something Better (1997)

Motion Picture | 2D | Color | 90 Minutes

Always Something Better | ShotOnWhat?

Directed by | Stephen Kinsella | Cinematography by | Jorge Diaz-Amador | Editing by | Kristin M. Frascione

Starring | Nicole Cannon, Chris Sery, Candis Cayne, Lina Bradford

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux HEC 12-120 mm T2.1 Lens, Zeiss Super Speeds Mk I Lenses

Tian zhu ding (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Zhangke Jia | Cinematography by | Nelson Lik-wai Yu | Editing by | Matthieu Laclau, Xudong Lin

Starring | Wu Jiang, Baoqiang Wang, Tao Zhao, Lanshan Luo

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Anamorphic 50 mm T1.9 Lens

Trade of Innocents (2012)

Motion Picture | 2D | Color | 2.40:1 | 88 Minutes

Directed by | Christopher M. Bessette | Cinematography by | Philip Hurn | Editing by | Diane Brunjes

Starring | Dermot Mulroney, Mira Sorvino, John Billingsley, Trieu Tran

Cameras | Red One MX Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

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