Method Studios | 48 Titles
The Maze Runner (2014)
Directed by | Wes Ball | Cinematography by | Enrique Chediak | Editing by | Dan Zimmerman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Snowpiercer (2013)
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim
Night at the Museum: Secret of the Tomb (2014)
Directed by | Shawn Levy | Cinematography by | Guillermo Navarro | Editing by | Dean Zimmerman
Cameras | Red Epic Dragon Camera
Non-Stop (2014)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Jim May
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Purge: Anarchy (2014)
Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Vince Filippone, Todd E. Miller
Cameras | ARRI ALEXA XT Camera
Exodus: Gods and Kings (2014)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Ali Degismis, Billy Rich
Cameras | Red Epic Dragon Camera
Foxcatcher (2014)
Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill
The Giver (2014)
Directed by | Phillip Noyce | Cinematography by | Ross Emery | Editing by | Barry Alexander Brown
Cameras | ARRI ALEXA XT Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Divergent (2014)
Directed by | Neil Burger | Cinematography by | Alwin H. Küchler | Editing by | Richard Francis-Bruce, Nancy Richardson
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses
White House Down (2013)
Directed by | Roland Emmerich | Cinematography by | Anna Foerster | Editing by | Adam Wolfe
Cameras | ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera
Elysium (2013)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith
Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Odd Thomas (2013)
Directed by | Stephen Sommers | Cinematography by | Mitchell Amundsen | Editing by | David Checel
Cameras | Red Epic Camera
Into the Storm (2014)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Oz the Great and Powerful (2013)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Cameras | Red Epic Camera
G.I. Joe: Retaliation (2013)
Directed by | Jon M. Chu | Cinematography by | Stephen F. Windon | Editing by | Roger Barton, Jim May
The Hunger Games: Catching Fire (2013)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Bullet to the Head (2012)
Directed by | Walter Hill | Cinematography by | Lloyd Ahern II | Editing by | Timothy Alverson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
