Surround 7.1 | 29 Titles
Je Bent Al Hier (2024)
 Directed by | Inez Eltink | Cinematography by | Jor Broeder | Editing by | Keno Aladjuz 
 
  Cameras | Sony ILME-FX3 Camera 
Rups (2024)
 Directed by | Susanne Hagen | Cinematography by | Jesse Post | Editing by | Keno Aladjuz 
 
  Cameras | ARRI ALEXA Mini LF Camera 
The Irishman (2019)
 Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker 
 
  Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras 
Top Gun: Maverick (2022)
 Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Eddie Hamilton 
 
  Cameras | Sony CineAlta VENICE Camera 
 Barbie (2023)
 Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy 
 
  Cameras | ARRI ALEXA 65 Camera 
  Lenses | Panavision Lenses, Panavision System 65 Lenses 
Elvis (2022)
 Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Jonathan Redmond, Matt Villa 
 
  Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera 
 Marcel the Shell with Shoes On (2021)
 Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley 
 
  Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera 
 The Fabelmans (2022)
 Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn 
 
  Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera 
 Beau Is Afraid (2023)
 Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston 
 
  Cameras | Sony CineAlta VENICE Camera 
 The Grand Budapest Hotel (2014)
 Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling 
 
  Cameras | ARRICAM Studio (ST) Camera 
  Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens 
A Cure for Wellness (2016)
 Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | Pete Beaudreau, Lance Pereira  
 
 The Book of Henry (2017)
 Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt  
 
  Lenses | Panavision Lenses 
Baby Driver (2017)
 Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss 
 
  Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera 
Blade Runner 2049 (2017)
 Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker 
 
  Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera 
  Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens 
Fantastic Beasts and Where to Find Them (2016)
 Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day 
 
  Cameras | ARRI ALEXA XT Camera 
  Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses 
Hatred of a Minute (2002)
 Directed by | Michael Kallio | Cinematography by | George Lieber | Editing by | Paul Hart, Michael Kallio, John W. Walter 
 
  Cameras | ARRI Cameras 
  Lenses | ARRI Lenses 
Star Trek II: The Wrath of Khan (1982)
 Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch 
 
  Cameras | Dykstraflex Camera, Panavision Cameras 
Trance (2013)
 Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Jon Harris 
 
  Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera 
 Bhoot Returns (2012)
 Directed by | Ram Gopal Varma | Cinematography by | Siddhartha More, Harshraj Shroff, M. Ravichandran Thevar | Editing by | Aditya Joshi, Sunil Wadhwani 
 
  Cameras | GoPro HD Hero2 Camera, Sony Cameras 
 
  
 
































































