Search Results: Alexa | 1848 Titles
Resident Evil: Welcome to Raccoon City (2021)
 | Directed by | Johannes Roberts Cinematography by ~ Maxime Alexandre Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA SXT Series Cameras Lenses | Hawk V-Lite Lenses |
The Batman (2022)
 | Directed by | Matt Reeves Cinematography by ~ Greig Fraser Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera Lenses | ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses |
The Hitman’s Bodyguard (2017)
 | Directed by | Patrick Hughes Cinematography by ~ Jules O'Loughlin Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera Lenses | Angenieux Lenses, Hawk V-Lite Vintage´74 Lens |
The Happy Prince (2018)
 | Directed by | Rupert Everett Cinematography by ~ John Conroy Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras Lenses | ARRI / Zeiss Master Anamorphic Lenses |
Ghost in the Shell (2017)
Mad Max: Fury Road (2015)
World War Z (2013)
 | Directed by | Marc Forster Cinematography by ~ Ben Seresin, Robert Richardson Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses |
Zero Dark Thirty (2012)
 | Directed by | Kathryn Bigelow Cinematography by ~ Greig Fraser Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera Lenses | Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses |
Trance (2013)
 | Directed by | Danny Boyle Cinematography by ~ Anthony Dod Mantle Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera Lenses | ARRI / Fujinon Lenses, Canon Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses |
Into the Storm (2014)
Maleficent (2014)
 | Directed by | Robert Stromberg Cinematography by ~ Dean Semler Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera |
The Wolf of Wall Street (2013)
Rush (2013)
Tian zhu ding (2013)
 | Directed by | Zhangke Jia Cinematography by ~ Nelson Lik-wai Yu Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Anamorphic 50 mm T1.9 Lens |
Nebraska (2013)
 | Directed by | Alexander Payne Cinematography by ~ Phedon Papamichael Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus 4:3 Camera Lenses | Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses |
Before Midnight (2013)
 | Directed by | Richard Linklater Cinematography by ~ Christos Voudouris Cameras | ARRI ALEXA Camera |
Her (2013)
 | Directed by | Spike Jonze Cinematography by ~ Hoyte Van Hoytema Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses |
Galore (2013)
 | Directed by | Rhys Graham Cinematography by ~ Stefan Duscio Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens |
3 Days to Kill (2014)
 | Directed by | McG Cinematography by ~ Thierry Arbogast Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera Lenses | Technovision Lenses, Zeiss Super Speed Lenses |
