Search Results: Alexa | 1848 Titles
Vikings (2013)
 | Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera Lenses | Panavision Lenses |
Skyscraper (2018)
 | Directed by | Rawson Marshall Thurber Cinematography by ~ Robert Elswit Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses |
Big Eyes (2014)
 | Directed by | Tim Burton Cinematography by ~ Bruno Delbonnel Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera |
Mission: Impossible – Rogue Nation (2015)
 | Directed by | Christopher McQuarrie Cinematography by ~ Robert Elswit Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses |
Allegiant (2016)
 | Directed by | Robert Schwentke Cinematography by ~ Florian Ballhaus Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses |
Bright (2017)
 | Directed by | David Ayer Cinematography by ~ Roman Vasyanov Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras Lenses | Panavision Lenses |
Baby Driver (2017)
 | Directed by | Edgar Wright Cinematography by ~ Bill Pope Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera |
Kick-Ass 2 (2013)
 | Directed by | Jeff Wadlow Cinematography by ~ Tim Maurice-Jones Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera Lenses | Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses |
X-Men: Days of Future Past (2014)
 | Directed by | Bryan Singer Cinematography by ~ Newton Thomas Sigel Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera Lenses | ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses |
The Fifth Estate (2013)
Divergent (2014)
 | Directed by | Neil Burger Cinematography by ~ Alwin H. Küchler Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses |
The Drop (2014)
 | Directed by | Michaël R. Roskam Cinematography by ~ Nicolas Karakatsanis Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera Lenses | Leitz Summilux-C Series Lenses |
The Book Thief (2013)
 | Directed by | Brian Percival Cinematography by ~ Florian Ballhaus Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses |
How to Be Single (2016)
 | Directed by | Christian Ditter Cinematography by ~ Christian Rein Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera |
The Huntsman: Winter’s War (2016)
 | Directed by | Cedric Nicolas-Troyan Cinematography by ~ Phedon Papamichael Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses |
Logan (2017)
 | Directed by | James Mangold Cinematography by ~ John Mathieson Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera Lenses | Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses |
Bohemian Rhapsody (2018)
 | Directed by | Bryan Singer Cinematography by ~ Newton Thomas Sigel Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses |
