Search Results: Alexa | 1848 Titles
Dark (2017)
 | Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera Lenses | Zeiss Ultra Prime Lenses |
Atomic Blonde (2017)
 | Directed by | David Leitch Cinematography by ~ Jonathan Sela Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera Lenses | Hawk V-Lite Vintage´74 Lens |
The Ballad of Buster Scruggs (2018)
 | Directed by | Ethan Coen, Joel Coen Cinematography by ~ Bruno Delbonnel Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses |
Joker (2019)
 | Directed by | Todd Phillips Cinematography by ~ Lawrence Sher Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens |
Shazam! (2019)
 | Directed by | David F. Sandberg Cinematography by ~ Maxime Alexandre Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras Lenses | Zeiss Master Prime Lenses |
The Hustle (2019)
 | Directed by | Chris Addison Cinematography by ~ Michael Coulter Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens |
Spider-Man: Homecoming (2017)
 | Directed by | Jon Watts Cinematography by ~ Salvatore Totino Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera Lenses | Angenieux Lenses, Cooke S4/i Lenses |
Knives Out (2019)
 | Directed by | Rian Johnson Cinematography by ~ Steve Yedlin Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera Lenses | ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses |
Halloween Kills (2021)
 | Directed by | David Gordon Green Cinematography by ~ Michael Simmonds Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera |
The Lord of the Rings: The Rings of Power (2022)
 | Directed by | Wayne Yip, J.A. Bayona, Charlotte Brändström Cinematography by ~ Aaron Morton, Alex Disenhof, Oscar Faura Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera Lenses | ARRI Signature Prime Lenses |
A Cure for Wellness (2016)
 | Directed by | Gore Verbinski Cinematography by ~ Bojan Bazelli Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
Wonder Woman (2017)
 | Directed by | Patty Jenkins Cinematography by ~ Matthew Jensen Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera Lenses | ARRI Rental Prime 65 Lenses |
Alien: Covenant (2017)
 | Directed by | Ridley Scott Cinematography by ~ Dariusz Wolski Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses |
The Predator (2018)
 | Directed by | Shane Black Cinematography by ~ Larry Fong Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras Lenses | Panavision Ultra Speed MKII Lenses |
John Wick: Chapter 3 – Parabellum (2019)
 | Directed by | Chad Stahelski Cinematography by ~ Dan Laustsen Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses |
Hansel & Gretel: Witch Hunters (2013)
 | Directed by | Tommy Wirkola Cinematography by ~ Michael Bonvillain Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses |
Spy Kids: All the Time in the World in 4D (2011)
 | Directed by | Robert Rodriguez Cinematography by ~ Jimmy Lindsey, Robert Rodriguez Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses |
