| Directed by | Jeremy Saulnier Cinematography by ~ Sean Porter Cameras | ARRI ALEXA Camera Lenses | Cooke Lenses, Cooke Speed Panchro Lenses |
Search Results: Alexa | 1848 Titles
Green Room (2015)
Jason Bourne (2016)
Legends of the Hidden Temple: The Movie (2016)
| Directed by | Joe Menendez Cinematography by ~ Tom Harting Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera Lenses | Panavision Lenses, Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens |
Arrival (2016)
| Directed by | Denis Villeneuve Cinematography by ~ Bradford Young Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses |
Il ragazzo invisibile: Fratelli (2018)
| Directed by | Gabriele Salvatores Cinematography by ~ Italo Petriccione Cameras | ARRI ALEXA XT Camera |
The Neon Demon (2016)
| Directed by | Nicolas Winding Refn Cinematography by ~ Natasha Braier Cameras | ARRI ALEXA Series Cameras, ARRI ALEXA XT Camera, ARRI Cameras Lenses | Cooke Lenses, Cooke Xtal Express Lenses |
Crown Vic (2019)
Hotel Mumbai (2018)
| Directed by | Anthony Maras Cinematography by ~ Nick Remy Matthews Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera Lenses | Panavision G Series Anamorphic Lenses |
Christopher Robin (2018)
Ad Astra (2019)
| Directed by | James Gray Cinematography by ~ Hoyte Van Hoytema Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera Lenses | CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses |
Terminator: Dark Fate (2019)
| Directed by | Tim Miller Cinematography by ~ Ken Seng Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera Lenses | ARRI Rental Prime DNA Lenses, Cineovision Lenses |
Gipsy Queen (2019)
| Directed by | Hüseyin Tabak Cinematography by ~ Lukas Gnaiger Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4/i Lenses, Cooke Spherical Lenses |
The Lion King (2019)
| Directed by | Jon Favreau Cinematography by ~ Caleb Deschanel Cameras | ARRI ALEXA 65 Camera |
Lupin (2021)
Smuggling Hendrix (2018)
| Directed by | Marios Piperides Cinematography by ~ Christian Huck Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera Lenses | ARRI / Zeiss Master Anamorphic Lenses |
The Power of the Dog (2021)
| Directed by | Jane Campion Cinematography by ~ Ari Wegner Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera Lenses | Fujinon Alura Lenses, Panavision Ultra Panatar Anamorphic Lenses |
Silverstar (2022)
Mandy (2018)
| Directed by | Panos Cosmatos Cinematography by ~ Benjamin Loeb Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera Lenses | Angenieux HR Zoom Lenses, Panavision Primo Anamorphic Lenses |







































































