 | Directed by | Jacques Audiard Cinematography by ~ Benoît Debie Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses |
Search Results: Alexa | 1848 Titles
The Sisters Brothers (2018)
Game Night (2018)
 | Directed by | John Francis Daley, Jonathan Goldstein Cinematography by ~ Barry Peterson Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Red Epic Helium Camera Lenses | Cooke S4/i Lenses |
Creed II (2018)
 | Directed by | Steven Caple Jr. Cinematography by ~ Kramer Morgenthau Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera Lenses | Panavision Lenses, Zeiss Master Prime Lenses |
The Spy Who Dumped Me (2018)
 | Directed by | Susanna Fogel Cinematography by ~ Barry Peterson Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera Lenses | Angenieux Lenses, Cooke S4/i Lenses |
Life Itself (2018)
 | Directed by | Dan Fogelman Cinematography by ~ Brett Pawlak Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera Lenses | Cooke Panchro/i Classic Lenses |
Ocean’s Eight (2018)
 | Directed by | Gary Ross Cinematography by ~ Eigil Bryld Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera Lenses | Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens |
The Meg (2018)
 | Directed by | Jon Turteltaub Cinematography by ~ Tom Stern Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras Lenses | Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses |
Overlord (2018)
 | Directed by | Julius Avery Cinematography by ~ Laurie Rose, Fabian Wagner Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras Lenses | Panavision T Series Anamorphic Lenses |
American Animals (2018)
 | Directed by | Bart Layton Cinematography by ~ Ole Bratt Birkeland Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Sony α7S II Camera Lenses | Cooke Anamorphic Lenses, Leica R Series Lenses, Zeiss Super Speed Lenses |
Blindspotting (2018)
 | Directed by | Carlos López Estrada Cinematography by ~ Robby Baumgartner Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras Lenses | Panavision Primo Primes Spherical Lenses |
12 Strong (2018)
 | Directed by | Nicolai Fuglsig Cinematography by ~ Rasmus Videbæk Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Red Epic Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses |
Us (2019)
 | Directed by | Jordan Peele Cinematography by ~ Mike Gioulakis Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses |
John Wick: Chapter 4 (2023)
 | Directed by | Chad Stahelski Cinematography by ~ Dan Laustsen Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses |
Five (2011)
 | Directed by | Jennifer Aniston, Patty Jenkins, Alicia Keys, Demi Moore, Penelope Spheeris Cinematography by ~ Eric Alan Edwards, Guy Livneh, Jim Orr, Christopher Popp, Tami Reiker Cameras | ARRI ALEXA Camera, Red One Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
The Avengers (2012)
 | Directed by | Joss Whedon Cinematography by ~ Seamus McGarvey Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera Lenses | Panavision Frazier Lenses, Panavision Lenses |
Lawless (2012)
 | Directed by | John Hillcoat Cinematography by ~ Benoît Delhomme Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses |
Bernie (2011)
 | Directed by | Richard Linklater Cinematography by ~ Dick Pope Cameras | ARRI ALEXA Camera Lenses | Cooke S4 Lenses |
Extremely Loud & Incredibly Close (2011)
 | Directed by | Stephen Daldry Cinematography by ~ Chris Menges Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses |
Burn Notice: The Fall of Sam Axe (2011)
 | Directed by | Jeffrey Donovan Cinematography by ~ Jaime Reynoso Cameras | ARRI ALEXA Camera |
The Three Musketeers (2011)
 | Directed by | Paul W.S. Anderson Cinematography by ~ Glen MacPherson Cameras | ARRI ALEXA Camera, Red One MX Camera, Weisscam HS-2 Camera Lenses | Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens |
