 | Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses |
Search Results: Alexa | 1848 Titles
Le passé (2013)
 | Directed by | Asghar Farhadi Cinematography by ~ Mahmoud Kalari Cameras | ARRI ALEXA Camera |
Graceland (2013)
 | Cameras | ARRI ALEXA Camera |
Guardians of the Galaxy (2014)
 | Directed by | James Gunn Cinematography by ~ Ben Davis Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens |
Need for Speed (2014)
Enough Said (2013)
 | Directed by | Nicole Holofcener Cinematography by ~ Xavier Grobet Cameras | ARRI ALEXA Studio Camera Lenses | Leitz Summilux-C Series Lenses |
Chicago Fire (2012)
 | Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Cooke S4 Lenses |
Into the Woods (2014)
 | Directed by | Rob Marshall Cinematography by ~ Dion Beebe Cameras | ARRI ALEXA XT Camera Lenses | Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
Denis (2013)
 | Directed by | Lionel Bailliu Cinematography by ~ Stéphane Le Parc Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Nous York (2012)
 | Directed by | Hervé Mimran, Géraldine Nakache Cinematography by ~ Stéphane Le Parc Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses |
The Single Moms Club (2014)
 | Directed by | Tyler Perry Cinematography by ~ Alexander Gruszynski Cameras | ARRI ALEXA Camera |
Hercules (2014)
 | Directed by | Brett Ratner Cinematography by ~ Dante Spinotti Cameras | ARRI ALEXA XT Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
The Maze Runner (2014)
 | Directed by | Wes Ball Cinematography by ~ Enrique Chediak Cameras | ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Maestro (2014)
 | Directed by | Léa Fazer Cinematography by ~ Lucas Leconte Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Speed Panchro Lenses |
The Gunman (2015)
 | Directed by | Pierre Morel Cinematography by ~ Flavio Martínez Labiano Cameras | ARRI ALEXA XT Camera, Red Epic Camera Lenses | Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
