 | Directed by | Allen Hughes Cinematography by ~ Ben Seresin Cameras | ARRI ALEXA Camera, ARRI ALEXA Studio Camera Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses |
Search Results: Alexa | 1848 Titles
Broken City (2013)
Thor: The Dark World (2013)
 | Directed by | Alan Taylor Cinematography by ~ Kramer Morgenthau Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera Lenses | Panavision G Series Anamorphic Lenses |
The Wolverine (2013)
 | Directed by | James Mangold Cinematography by ~ Ross Emery Cameras | ARRI ALEXA Camera |
NCIS (2003)
 | Cameras | ARRI ALEXA Camera, Panavision Genesis Camera Lenses | Panavision Primo Zooms Spherical Lenses |
Sin City: A Dame to Kill For (2014)
 | Directed by | Frank Miller, Robert Rodriguez Cinematography by ~ Robert Rodriguez Cameras | ARRI ALEXA M Camera Lenses | Fujinon Premier Lenses |
We’re the Millers (2013)
 | Directed by | Rawson Marshall Thurber Cinematography by ~ Barry Peterson Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Nashville (2012)
 | Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 45-120 mm T2.8 Lens |
True Detective (2014)
The November Man (2014)
 | Directed by | Roger Donaldson Cinematography by ~ Romain Lacourbas Cameras | ARRI ALEXA Plus Camera Lenses | Hawk V-Lite Vintage´74 Lens |
Penny Dreadful (2014)
 | Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke Lenses, Cooke S4 Lenses |
Le ciel du centaure (2015)
 | Directed by | Hugo Santiago Cinematography by ~ Gustavo Biazzi Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens |
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
 | Directed by | Joachim Rønning, Espen Sandberg Cinematography by ~ Paul Cameron Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera Lenses | Panavision Primo Primes Spherical Lenses |
Avengers: Age of Ultron (2015)
 | Directed by | Joss Whedon Cinematography by ~ Ben Davis Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera Lenses | Panavision Primo Anamorphic Lenses |
Meadowland (2015)
 | Directed by | Reed Morano Cinematography by ~ Reed Morano Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses |
Everybody Happy (2016)
 | Directed by | Nic Balthazar Cinematography by ~ Robrecht Heyvaert Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, ARRI AMIRA Camera, Blackmagic Pocket Cinema Camera Lenses | ARRI Lenses, Canon Lenses |
The Revenant (2015)
 | Directed by | Alejandro G. Iñárritu Cinematography by ~ Emmanuel Lubezki Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses |
