United States | 1624 Titles
Still Alice (2014)
Directed by | Richard Glatzer, Wash Westmoreland | Cinematography by | Denis Lenoir | Editing by | Nicolas Chaudeurge
Cameras | ARRI ALEXA Camera
Selma (2014)
Directed by | Ava DuVernay | Cinematography by | Bradford Young | Editing by | Spencer Averick
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses
Nightcrawler (2014)
Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Love Is Strange (2014)
Directed by | Ira Sachs | Cinematography by | Christos Voudouris | Editing by | Affonso Gonçalves, Michael Taylor
Inherent Vice (2014)
Undefeated (2011)
Directed by | Daniel Lindsay, T.J. Martin | Cinematography by | Daniel Lindsay, T.J. Martin | Editing by | Daniel Lindsay, T.J. Martin
Get on Up (2014)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses
Citizenfour (2014)
Directed by | Laura Poitras | Cinematography by | Kirsten Johnson, Trevor Paglen, Laura Poitras, Katy Scoggin | Editing by | Mathilde Bonnefoy
Cake (2014)
Directed by | Daniel Barnz | Cinematography by | Rachel Morrison | Editing by | Kristina Boden, Michelle Harrison
Cameras | ARRI ALEXA Plus 4:3 Camera
Big Eyes (2014)
Begin Again (2013)
Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus
Cameras | Red Epic Camera
American Sniper (2014)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Mrs. Miniver (1942) 
A Most Violent Year (2014)
I Call First (1967)
Directed by | Martin Scorsese | Cinematography by | Richard H. Coll, Michael Wadleigh | Editing by | Thelma Schoonmaker
Cameras | Éclair NPR Camera, Mitchell BNC Camera
Pretty Little Liars (2010)
| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras | Red One MX Camera, Red Scarlet Camera
Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Singin’ in the Rain (1952)
Directed by | Stanley Donen, Gene Kelly | Cinematography by | Harold Rosson | Editing by | Adrienne Fazan
Cameras | Technicolor 3-Strip Camera
RED (2010)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Ping Pong Summer (2014)
Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Directed by | Stanley Kubrick | Cinematography by | Gilbert Taylor | Editing by | Anthony Harvey
Cameras | Mitchell BNC Camera
