Adriana Barraza

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The 33 | ShotOnWhat?

Marta Salinas

The 33 (2015)

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Michael Tronick

Cameras: ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

Cake | ShotOnWhat?

Silvana

Cake (2014)

Directed by: Daniel Barnz

Cinematography by: Rachel Morrison

Edited by: Kristina Boden, Michelle Harrison

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Thor | ShotOnWhat?

Isabela Alvarez

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

From Prada to Nada | ShotOnWhat?

Aurelia Jimenez

From Prada to Nada (2011)

Directed by: Angel Gracia

Cinematography by: Héctor Ortega

Edited by: Brad McLaughlin

Cameras: Sony CineAlta F35 Camera

Drag Me to Hell | ShotOnWhat?

Shaun San Dena

Drag Me to Hell (2009)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Henry Poole Is Here | ShotOnWhat?

Esperanza Martinez

Henry Poole Is Here (2008)

Directed by: Mark Pellington

Cinematography by: Eric Schmidt

Edited by: Lisa Zeno Churgin

"CSI: Miami" The DeLuca Motel | ShotOnWhat?

Carmen Delko

'CSI: Miami' The DeLuca Motel (2008)

Television Episode

Directed by: Gina Lamar

Cinematography by: Charles Mills

Edited by: Joshua Charson

Babel | ShotOnWhat?

Amelia

Babel (2006)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Spanglish | ShotOnWhat?

Acting Coach

Spanglish (2004)

Directed by: James L. Brooks

Cinematography by: John Seale

Edited by: Richard Marks, Tia Nolan

CSI: Miami | ShotOnWhat?

Carmen Delko

CSI: Miami (2002)

Television Series

Cinematography by: Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr.

Edited by: Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera

Lenses: Panavision Lenses

Amores Perros | ShotOnWhat?

Mama Octavio (Octavio's Mother)

Amores Perros (2000)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda

Cameras: Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

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