South America | 79 Titles
Son of the Bride (2001)
Directed by | Juan José Campanella | Cinematography by | Daniel Shulman | Editing by | Camilo Antolini
Cameras | ARRIFLEX 35mm Cameras
The Motorcycle Diaries (2004)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera
Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses
Evita (1996)
Directed by | Alan Parker | Cinematography by | Darius Khondji | Editing by | Gerry Hambling
Cameras | Moviecam Compact Camera
Lenses | Cooke Xtal Express Lenses
Central Station (1998)
Directed by | Walter Salles | Cinematography by | Walter Carvalho | Editing by | Felipe Lacerda, Isabelle Rathery
180º (2010)
Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne
Cameras | ARRICAM Lite (LT) Camera
Neighboring Sounds (2012)
Directed by | Kleber Mendonça Filho | Cinematography by | Pedro Sotero, Fabricio Tadeu | Editing by | João Maria, Kleber Mendonça Filho
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
Master and Commander: The Far Side of the World (2003)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Elite Squad: The Enemy Within (2010)
Directed by | José Padilha | Cinematography by | Lula Carvalho | Editing by | Daniel Rezende
Cameras | Aaton Penelope Camera
Lenses | Cooke S4 Lenses
A Prophet (2009)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera
Maria Full of Grace (2004)
Directed by | Joshua Marston | Cinematography by | Jim Denault | Editing by | Anne McCabe, Lee Percy
Lenses | Cooke S4 Lenses
2 Coelhos (2012)
Directed by | Afonso Poyart | Cinematography by | Carlos André Zalasik | Editing by | Lucas Gonzaga, Afonso Poyart, André Vidigal
Cameras | Phantom HD Gold Camera, Red One MX Camera
Winged Migration (2001)
Directed by | Jacques Perrin, Jacques Cluzaud, Michel Debats | Cinematography by | Olli Barbé, Michel Benjamin, Sylvie Carcedo, Laurent Charbonnier, Luc Drion, Laurent Fleutot, Philippe Garguil, Dominique Gentil, Bernard Lutic, Thierry Machado, Stéphane Martin, Fabrice Moindrot, Ernst Sasse, Michel Terrasse, Thierry Thomas | Editing by | Marie-Josèphe Yoyotte
Lenses | Panavision Lenses
1989 (2009)
The 13th Warrior (1999)
Directed by | John McTiernan, Michael Crichton | Cinematography by | Peter Menzies Jr. | Editing by | John Wright
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Good Shepherd (2006)
Directed by | Robert De Niro | Cinematography by | Robert Richardson | Editing by | Tariq Anwar
Cameras | Panavision Panaflex Platinum Camera
Children of Men (2006)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
De fem benspænd (2003)
Directed by | Jørgen Leth, Lars von Trier | Cinematography by | Dan Holmberg | Editing by | Morten Højbjerg, Camilla Skousen
Cameras | ARRI Cameras
Antitrust (2001)
Directed by | Peter Howitt | Cinematography by | John Bailey | Editing by | Zach Staenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
ToyKhtoProyshovKrizVohon (2011)
Directed by | Mykhailo Illienko | Cinematography by | Oleksandr Kryshtalovych | Editing by | Viktor Malyarenko
Cameras | Red One Camera
