Brasil | 24 Titles
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South America
Até que a Vida nos Separe (2000)
Avengers: Infinity War (2018)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Monica and Friends: Lessons (2021)
The Amazing Race (2001)
| Cinematography by | Peter Rieveschl, Per Larsson, Tom Cunningham, Josh Gitersonke | Editing by | Paul C. Nielsen, Julian Gomez, Andrew Kozar, Jennifer Nelson, Jacob Parsons, Eric Goldfarb, Mike Bolanowski, Ryan Leamy, Chris Dalzell, Rich Remis, Evan Finn, Andy Castor, Eric Beetner, Paolo Cascardo, Aaron M. Lewis, Jeremy Gantz, Steven J. Escobar, Andrew Frank, Jules Frazier, Steven Urrutia, Chris DiMaso, Eric Van Wagenen, Phillip Pableo, Jason Pedroza, Jon Bachmann, Trevor Frey, Tony Diaz, Matt Deitrich, Heeyeon Chang, Paul Withers, Grace Piena, Jonathan Moore, Nicole Vanderneut, Steve Mellon, James M. Smith, Katherine Griffin, Darrick Lazo, Jeff Runyan, Craig E. Serling, Hudson Smith, Tim Bartlett, Matt Antell, Tori Rodman, Byron Glickfeld, Teki Cruickshank, Eli Frankel, Scott Storm, Brian York, Damon Olney, Kinsey Beck, Noelle Debruhl, Christina Fontana, Jay Gammill, Josh Lowry, Sharmila Ariathurai, Tom McGah, Joubin Mortazavi, Rob LaLonde, Barry A. O'Brien, Adam Powell, Damien Baskette, David Dooyun Kim, Seth T. Levine, Joel Bender, Josh Belson, Conroy Browne, Fernanda Cardoso, Tenna Guthrie, Karen Smith, Danny Flynn, Josh Lennox, Marc Markley, Jason Thompson, Finian Shea Johnson, Ernesto de la O, Kathy Messer, Carrie Ansell, Paul Coyne, Clayton Halsey, Don Misraje, Brian Phillips, Michael E. Polakow, M. Edward Salier, Patrick Sayers, Michael Friedman, Chris Skopinski, Marina Catala, Edward Doty, Shari Hammerman, Mick LeGrande, Jacob Lane, Jill Pleeter, Jason Stewart, Matt Kay, Trevor Campbell, Shane Moran, Jason Groothuis, Eric Johannsen, Kelly Coskran, Hans van Riet, Zack Bell, Natalie Ebnet, Tricia Rodrigo, Eric Scott Wilson, Brooks Larson, Skip Robinson, Jimmy Giritlian, Kellen Cruden, Gary Pennington, Roderick Paramour, Ryan Morrell, Tracy Bacenas, A.G. Bealer, Heidi Scharfe, Phillip Gessert, Jennifer Barlow, Henry Harmon, Derek Vaughn, Robbie Paramor
The Salt of the Earth (2014)
Directed by | Juliano Ribeiro Salgado, Wim Wenders | Cinematography by | Hugo Barbier, Juliano Ribeiro Salgado | Editing by | Maxine Goedicke, Rob Myers
Mechanic: Resurrection (2016)
Directed by | Dennis Gansel | Cinematography by | Daniel Gottschalk | Editing by | Ueli Christen, Michael J. Duthie, Todd E. Miller
Cameras | Red Epic Camera, Red Scarlet Camera
Four Days in September (1997)
Directed by | Bruno Barreto | Cinematography by | Félix Monti | Editing by | Isabelle Rathery
Cameras | ARRIFLEX 535 B Camera
Amazon (1997)
Captain America: Civil War (2016)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
View from a Blue Moon (2015)
Directed by | Blake Kueny | Cinematography by | Paulo Barcellos, Erik Knutson | Editing by | Kevin Thomas Barnett, Blake Kueny
Cameras | Phantom Flex4K Camera, Red Digital Cinema Cameras
Citizenfour (2014)
Directed by | Laura Poitras | Cinematography by | Kirsten Johnson, Trevor Paglen, Laura Poitras, Katy Scoggin | Editing by | Mathilde Bonnefoy
Do Começo ao Fim (2009)
Directed by | Aluizio Abranches | Cinematography by | Ueli Steiger | Editing by | Fábio S. Limma
Cameras | Aaton Cameras
Lenses | Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens
Nosso Lar (2010)
Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes
Lenses | Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Se Puder… Dirija! (2013)
Directed by | Anita Barbosa, Paulo Fontenelle | Cinematography by | Nonato Estrela, Pedro Guimaraes
Cameras | Red Epic Camera
Lenses | Zeiss Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
The Twilight Saga: Breaking Dawn – Part 1 (2011)
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
Central Station (1998)
Directed by | Walter Salles | Cinematography by | Walter Carvalho | Editing by | Felipe Lacerda, Isabelle Rathery
Neighboring Sounds (2012)
Directed by | Kleber Mendonça Filho | Cinematography by | Pedro Sotero, Fabricio Tadeu | Editing by | João Maria, Kleber Mendonça Filho
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
