South America | 73 Titles
Camino a La Paz (2015)
Directed by | Francisco Varone | Cinematography by | Christian Cottet | Editing by | Federico Peretti, Alberto Ponce
Cameras | Canon EOS-C500 Camera
Captain America: Civil War (2016)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
View from a Blue Moon (2015)
Directed by | Blake Kueny | Cinematography by | Paulo Barcellos, Erik Knutson | Editing by | Kevin Thomas Barnett, Blake Kueny
Cameras | Phantom Flex4K Camera, Red Digital Cinema Cameras
Embrace of the Serpent (2015)
Directed by | Ciro Guerra | Cinematography by | David Gallego | Editing by | Etienne Boussac
Cameras | ARRICAM Lite (LT) Camera
Out of the Dark (2014)
Directed by | Lluís Quílez | Cinematography by | Isaac Vila | Editing by | Bernat Vilaplana
Cameras | ARRI ALEXA Studio Camera
The 33 (2015)
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses
El cuarto de Leo (2009)
Directed by | Enrique Buchichio | Cinematography by | Pedro Luque | Editing by | Guillermo Casanova, Julián Goyoaga
Cameras | Sony HDW-F900 Camera
Miss Tacuarembó (2010)
Directed by | Martín Sastre | Cinematography by | Pedro Luque | Editing by | Sebastián Dubé
Cameras | Red One Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses
La casa muda (2010)
Directed by | Gustavo Hernández | Cinematography by | Pedro Luque | Editing by | Gustavo Hernández
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Yeh Jawaani Hai Deewani (2013)
Directed by | Ayan Mukherjee | Cinematography by | Manikandan | Editing by | Akiv Ali
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
La danza de la realidad (2013)
Directed by | Alejandro Jodorowsky | Cinematography by | Jean-Marie Dreujou | Editing by | Maryline Monthieux
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
Relatos salvajes (2014)
Directed by | Damián Szifron | Cinematography by | Javier Julia | Editing by | Pablo Barbieri Carrera, Damián Szifron
Chasing Ice (2012)
Citizenfour (2014)
Directed by | Laura Poitras | Cinematography by | Kirsten Johnson, Trevor Paglen, Laura Poitras, Katy Scoggin | Editing by | Mathilde Bonnefoy
600 kilos d’or pur (2010)
À coeur ouvert (2012)
Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel
Cameras | ARRI ALEXA Camera
Do Começo ao Fim (2009)
Directed by | Aluizio Abranches | Cinematography by | Ueli Steiger | Editing by | Fábio S. Limma
Cameras | Aaton Cameras
Lenses | Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens
Nosso Lar (2010)
Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes
Lenses | Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Godzilla (2014)
Directed by | Gareth Edwards | Cinematography by | Seamus McGarvey | Editing by | Bob Ducsay
Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses
