Shooting Region » Americas » South America

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South America | 79 Titles

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Chasing Ice (2012)

Documentary | 2D | Color | 1.78:1 (16x9) | 75 Minutes

Directed by | Jeff Orlowski | Cinematography by | Jeff Orlowski | Editing by | Davis Coombe

Starring | James Balog, Svavar Jónatansson, Louie Psihoyos, Kitty Boone

Cameras | Canon Cameras, Panasonic Cameras, Sony Cameras

Citizenfour (2014)

Documentary | 2D | Color | 114 Minutes

Directed by | Laura Poitras | Cinematography by | Kirsten Johnson, Trevor Paglen, Laura Poitras, Katy Scoggin | Editing by | Mathilde Bonnefoy

Starring | Edward Snowden, Glenn Greenwald, William Binney, Jacob Appelbaum

600 kilos d’or pur (2010)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Éric Besnard | Cinematography by | Jean-Marie Dreujou | Editing by | Christophe Pinel

Starring | Clovis Cornillac, Audrey Dana, Patrick Chesnais, Claudio Santamaria

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

À coeur ouvert (2012)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel

Starring | Juliette Binoche, Edgar Ramírez, Hippolyte Girardot, Amandine Dewasmes

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Do Começo ao Fim (2009)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

Directed by | Aluizio Abranches | Cinematography by | Ueli Steiger | Editing by | Fábio S. Limma

Starring | Júlia Lemmertz, Fábio Assunção, Jean Pierre Noher, Louise Cardoso

Cameras | Aaton Cameras

Lenses | Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Nosso Lar (2010)

Motion Picture | 2D | Color | 2.35:1 | 103 Minutes

Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes

Starring | Renato Prieto, Fernando Alves Pinto, Rosanne Mulholland, Inez Viana

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Godzilla (2014)

Motion Picture | 3D | Color | 123 Minutes

Directed by | Gareth Edwards | Cinematography by | Seamus McGarvey | Editing by | Bob Ducsay

Starring | Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston, Ken Watanabe

Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

As Brasileiras (2012)

Television Series | 2D | Color |

| Editing by | Leticia Giffoni, Eduardo Hartung, Danilo Lemos, Diana Vasconcellos

Starring | Juliana Paes, Marcos Palmeira, Carla Daniel, Cláudio Tovar

Cameras | Red Epic Camera

Reveròn (2011)

Motion Picture | 2D | Color | 112 Minutes

Reveròn | ShotOnWhat?

Directed by | Diego Rísquez | Cinematography by | Cezary Jaworski | Editing by | Leonardo Henríquez

Starring | Luigi Sciamanna, Sheila Monterola, Luis Fernandez, Antonio Delli

Cameras | Red One Camera

Stefan v/s Kramer (2012)

Motion Picture | 2D | Color | 99 Minutes

Stefan v/s Kramer | ShotOnWhat?

Directed by | Sebastián Freund, Stefan Kramer, Leonardo Prieto | Cinematography by | Antonio Quercia | Editing by | Javier Estévez, Soledad Salfate

Starring | Stefan Kramer, Paloma Soto, Teresita Commentz, Andrés Commentz

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera

La Pasión de Michelangelo (2013)

Motion Picture | 2D | Color | 1.90:1 | 99 Minutes

La Pasión de Michelangelo | ShotOnWhat?

Directed by | Esteban Larraín | Cinematography by | Tevo Díaz | Editing by | Felipe Guerrero, Soledad Salfate

Starring | Patricio Contreras, Sebastián Ayala, Roberto Farías, Aníbal Reyna

Se Puder… Dirija! (2013)

Motion Picture | 3D | Color |

Se Puder… Dirija! | ShotOnWhat?

Directed by | Anita Barbosa, Paulo Fontenelle | Cinematography by | Nonato Estrela, Pedro Guimaraes

Starring | Luiz Fernando Guimarães, Leandro Hassum, Lavínia Vlasak, Bárbara Paz

Cameras | Red Epic Camera

Lenses | Zeiss Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens

City of God (2002)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Alexandre Rodrigues, Leandro Firmino, Matheus Nachtergaele, Phellipe Haagensen

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, Aaton XTR Prod Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

La teta asustada (2009)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Claudia Llosa | Cinematography by | Natasha Braier | Editing by | Frank Gutiérrez

Starring | Magaly Solier, Susi Sánchez, Efraín Solís, Bárbara Lazón

Cameras | Moviecam Compact MK2 Camera

The Secret in Their Eyes (2009)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Juan José Campanella | Cinematography by | Félix Monti | Editing by | Juan José Campanella

Starring | Ricardo Darín, Soledad Villamil, Pablo Rago, Carla Quevedo

Cameras | Red One Camera

The Twilight Saga: Breaking Dawn – Part 1 (2011)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz

Starring | Kristen Stewart, Robert Pattinson, Taylor Lautner, Gil Birmingham

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Baraka (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 96 Minutes

Directed by | Ron Fricke | Cinematography by | Ron Fricke | Editing by | David Aubrey, Ron Fricke, Mark Magidson

Cameras | Todd-AO 65mm Camera

Lenses | Schneider Lenses

The Naked Man (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 98 Minutes

Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher

Starring | Michael Rapaport, Michael Jeter, John Carroll Lynch, Arija Bareikis

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

U2 3D (2007)

Motion Picture | 3D | HD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki

Starring | Bono, Adam Clayton, The Edge, Larry Mullen Jr.

Cameras | Sony HDW-F900 Camera

Lenses | Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

Monsters (2010)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

Monsters | ShotOnWhat?

Directed by | Gareth Edwards | Cinematography by | Gareth Edwards | Editing by | Colin Goudie

Starring | Scoot McNairy, Whitney Able, Mario Zuniga Benavides, Annalee Jefferies

Cameras | Sony PMW-EX3 Camera

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