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North America | 1782 Titles

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Magnolia (1999)

Motion Picture | 2D | Color | 2.39:1 | 188 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Tom Cruise, Jason Robards, Julianne Moore, Philip Seymour Hoffman

Cameras | Panavision Cameras, Pathé Cameras

Lenses | Panavision Lenses

King Kong (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 187 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

I Am Sam (2001)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Jessie Nelson | Cinematography by | Elliot Davis | Editing by | Richard Chew

Starring | Sean Penn, Michelle Pfeiffer, Dakota Fanning, Dianne Wiest

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

Armageddon (1998)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 151 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Starring | Bruce Willis, Billy Bob Thornton, Ben Affleck, Liv Tyler

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

G-Force (2009)

Motion Picture | 2D, 3D | Color | 1.85:1, 2.39:1 | 88 Minutes

G-Force | ShotOnWhat?

Directed by | Hoyt Yeatman | Cinematography by | Bojan Bazelli | Editing by | Mark Goldblatt, Jason Hellmann

Starring | Will Arnett, Penélope Cruz, Zach Galifianakis, Bill Nighy

Air Force One (1997)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Michael Ballhaus | Editing by | Richard Francis-Bruce

Starring | Harrison Ford, Gary Oldman, Glenn Close, Wendy Crewson

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Variable Prime Lenses

Sherlock Holmes (2009)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert

Starring | Robert Downey Jr., Jude Law, Rachel McAdams, Mark Strong

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera

Lenses | Panavision Primo Classic Spherical Lenses

Crazy, Stupid, Love. (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 118 Minutes

Directed by | Glenn Ficarra, John Requa | Cinematography by | Andrew Dunn | Editing by | Lee Haxall

Starring | Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Unfaithful (2002)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Adrian Lyne | Cinematography by | Peter Biziou | Editing by | Anne V. Coates

Starring | Richard Gere, Diane Lane, Olivier Martinez, Erik Per Sullivan

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses

The Sound of Music (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 172 Minutes

Directed by | Robert Wise | Cinematography by | Ted D. McCord | Editing by | William Reynolds

Starring | Julie Andrews, Christopher Plummer, Eleanor Parker, Richard Haydn

Cameras | Mitchell BNC Camera, Modern Cinema Systems MCS-70

Unforgiven (1992)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 130 Minutes

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Gene Hackman, Morgan Freeman, Richard Harris

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Shark Night 3D (2011)

Motion Picture | 3D | Color | 1.85:1 | 90 Minutes

Shark Night 3D | ShotOnWhat?

Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler

Starring | Sara Paxton, Dustin Milligan, Chris Carmack, Katharine McPhee

Cameras | Sony CineAlta F35 Camera

Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens

Poseidon (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Peter Honess

Starring | Richard Dreyfuss, Kurt Russell, Emmy Rossum, Josh Lucas

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Gattaca (1997)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Andrew Niccol | Cinematography by | Slawomir Idziak | Editing by | Lisa Zeno Churgin

Starring | Ethan Hawke, Uma Thurman, Jude Law, Gore Vidal

Cameras | ARRIFLEX Camera, Moviecam Cameras

Basic (2003)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | John McTiernan | Cinematography by | Steve Mason | Editing by | George Folsey Jr.

Starring | John Travolta, Samuel L. Jackson, Connie Nielsen, Tim Daly

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Assassination of Jesse James by the Coward Robert Ford (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 160 Minutes

Directed by | Andrew Dominik | Cinematography by | Roger Deakins | Editing by | Curtiss Clayton, Dylan Tichenor

Starring | Brad Pitt, Casey Affleck, Sam Shepard, Mary-Louise Parker

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Cooke Lenses, Cooke S4 Lenses

15 Till Midnight (2010)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Wolfgang Meyer | Cinematography by | Daniel Lipski | Editing by | Michael Gilmore

Starring | Brandon Slagle, Dee Martin, Devanny Pinn, Andrew Roth

Cameras | Red One Camera

Lenses | Cooke S4 Lenses

Afterschool (2008)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 120 Minutes

Directed by | Antonio Campos | Cinematography by | Jody Lee Lipes | Editing by | Antonio Campos

Starring | Ezra Miller, Jeremy Allen White, Emory Cohen, Michael Stuhlbarg

Cameras | ARRIFLEX 535 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

You Can Count on Me (2000)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Kenneth Lonergan | Cinematography by | Stephen Kazmierski | Editing by | Anne McCabe

Starring | Laura Linney, Matthew Broderick, Amy Ryan, Michael Countryman

Cameras | Panavision Cameras

Lenses | Panavision Lenses

All I Wanna Do (1998)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Sarah Kernochan | Cinematography by | Tony C. Jannelli | Editing by | Anita Brandt Burgoyne, Peter C. Frank

Starring | Kirsten Dunst, Lynn Redgrave, Gaby Hoffmann, Rachael Leigh Cook

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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